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| | | | |  | Any news on using MC with 4K Blackmagic CC?by pekin azer 2 days agoOk, it's not here yet... But, the 4K files will be with us soon.... Will Avid be ready for RED or BMCC 4K files i still can't export my newly shot ad film at 4K without a 3rd party app. Using 4K files | | | | |
| | | |  | AFD Metadataby Ricky Barrow 2 days agoI have MC 6.0.3 Win7. I received a :30 Spot for broadcast from Ad Agency that I need to customize audio. The delivery specs from the TV station say that it needs to be 4x3 center cut safe OR encoded w | Re: AFD Metadata
by Michael Phillips 2 days ago
I "think" MC v6.5 added AFD support. I'm trying to remember exactly how it's applied and how much of it is supported. If I get time, I'll poke around. Michael
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| | | |  | Weird oneby Scott Davis 3 days agoWhen I go to open a transcript, it says it is open and yet I can not see the transcript anywhere. Tried quitting Avid and relaunching; nothing. Tried rebooting whole system. Nothing. Scott Davis | Re: Weird one
by Michael Phillips 3 days ago
With Media Composer shut down, and you look in the project folder, do you see the .avs file If so, move it out and try again. Michael
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| | | |  | File types difficulties!!by Ashley Solomon 6 days agoHi all the name's Ash and I was just wondering if anyone out there can help me with a simple problem please! I keep trying to import avi files into avid and I keep getting a msg : avi is not supported | | | | |
| | | |  | Can't rid my sequence of AMA clipsby Paul Dougherty 1 week agoI'd like to consolidate a finished sequence but keep hitting a wall AMA clips. (MC5.0.3) I get this error message "Some of the items selected for Consolidate contained foreign compression types, which | | | | |
| | | |  | Premiere Pro CC: The bright sideby Greg Andonian 2 weeks agoI'm still not sure about many aspects of the new direction Adobe is taking, and like I said in the other thread I'll be holding onto my CS5 and hopefully CS6 for quite a long while. But having said th+1 | Re: Premiere Pro CC: The bright side
by Michael Phillips 2 weeks ago
If they can tie the different plug-ins I use or might use as part of a CC service that would be helpful too in addition to settings, SFX, and other templates I might use as part of my freelance servic
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| | | |  | Can either of the two NLE's do thisby Vince Sanchez 3 weeks agoSince this forum seems to have both the Adobe and Apple camps I'm wondering if anyone knows if this is possible. I have clips that are 60fps on a 24 timeline. This is fine. Now at some point I need a | | | | |
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| | | | | End of FCPX discussionby Clay Coleman 1 month agoBlackmagic Design is imho currently the leading company in the world. Check this review of DaVinci Resolve 10 (english starts after the intro). http: www.youtube.com watch v=RgHSNLvEXX4&feature=youtu. | Re: End of FCPX discussion
by Michael Phillips 1 month ago
Maybe in this forum, but not in this thread. I just notice that in any forum, a free software solution is always better whether or not it meets one's needs or not. Michael
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| | | |  | CTO Kevin Lynch leaving Adobe for Appleby Gerry Fraiberg 2 months agoInteresting historical look at the rivalry and cooperation between the two companies. From CNET: http: news.cnet.com 8301-1001_3-57575323-92 adobe-and-apple-allies-and-rivals-through-the-ages tag=nl.e | | | | |
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| | | |  | Speaking of tipping points...by David Lawrence 1 month agoThere's this: The next version of Adobe video tools has been developed with features created in direct response to the needs of filmmakers, broadcasters and video professionals. In fact, the multiple | Re: Speaking of tipping points...
by Michael Phillips 1 month ago
I think that adding native MXF DNxHD is the start of adding flexibility to many more workflows. I agree with Steve that a proxy editorial workflow is many times preferred due to amount of footage, per
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| | | | | Working with DNG files on iMac late 2011by Lena Sotiriou 2 months agoHello everyone, It has been a couple of years now I visit this site quite often to solve my editing queries. But it's the first time I post. I'm about to shoot a short film with Blackmagic Cinema Came | | | | |
| | | |  | Favourite low budget movies....by Tom Sefton 2 months agoAnother OCD list based question for you. What are your favourite films that have been made for less than $10m This seems like a reasonable figure, you could make 20 of these gems for the same price as | Re: Favourite low budget movies....
by Michael Phillips 2 months ago
Bottle Rocket is a great little movie. I worked on the original short and did all the matchback negative cut supervision for what was still at that point in time, "new" technology. :) Michael
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| | | | | 23.98p & 24p in Postby Özgür Akyıldız 2 months agoHi, I have a rookie question. I shoot full resolution, 24p with my Canon DSLR and when I import to the system it sees it as 23.98p. Why does this happen and also do I want my project 24p or 23.98p aft | Re: 23.98p & 24p in Post
by Michael Phillips 2 months ago
24.00 is more troublesome in an NTSC world of 29.97. The difference between 24 and 23.976 is the same as 30 and 29.97 (FPS x (1000 1001)) That is why the rate is 23.976 - it also allows for continuous
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| | | | | File: XMLby Michael Phillips 3 months agozip file Zip file of a sample XML file to show metadata tagging of source metadata via Avid FilmScribe. Michael http: f1.creativecow.net 5469 5469 | | | | |
| | | | | RGB or 701 questionby sander van de kerkhof 4 months agoHi, I'm new to resolve and grading and have some confusions on what workflow to choose. Footage is shot on Sony FS100 and 7D, editing will be done in media composer. What should my workflow be for bro | Re: RGB or 701 question
by Michael Phillips 3 months ago
I'mpretty sure the original media is Rec.709, and certainly DNxHD is a Rec.709 codec. Also, seeing as the intention is a broadcast master, then it should be Rec.709 all the way. Any titles and such cr
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| | | | | synch problem with D5 mark II rushby Deep Chattopadhyaya 6 months agoHi, DOP changed the camera settings after the first three shots of the first day of the shoot from 25fps to 23.98 fps and it was only discovered when the rush came to the editor, thats yours truly. Th | Re: synch problem with D5 mark II rush
by Michael Phillips 5 months ago
Audio has 48000 sample per second regardless of how you want to divide up the frame count within those 48000 samples (23.976, 24, 25, 39.97, 30, etc,). The frame rate and timecode have no bearing on s
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| | | |  | pluraleyes files no sound in resolveby Martin Halm 6 months agohi there, i wanted to test pluraleyes 3 today for syncing canon 5D MkII H264 files with sound being recorded external without TC. syncing the files in pluraleyes went pretty smooth. and much faster th | | | | |
| | | | | Install Resolve Full over Liteby Boris Tivchev 7 months agoHi, Im about to install the full version of Resolve. What we got on the installation is v8.2. I presume I'll have to download v9.03 from BMD website and install that instead. Would I need to remove DR | | | | |
| | | | | Service: 24pby Michael Phillips 9 months agoBoston Massachusetts, United States Post Production Film 24p Post Production Film Editing Film Production Digital Post Production Consulting Manufacturer solution de | | | | |
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| | | | | Avid AMA Dailies Workflowby nigel gourley 1 year agoHi there, Just experimenting... Anyone have a good workflow for this. We normally AMA link alexa rushes Prores 4:4:4 and then transcode to DNx36 to edit and then relink the AMA to have an RGB Sequence+1 | Re: Avid AMA Dailies Workflow
by Michael Phillips 1 year ago
Certainly agree that there are different ways to approach this, and many productions will want to see the grading process in context of the edit - for all the reasons you state including pug-ins, laye
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| | | |  | File Types from Avidby Ted Moore 1 year agoIn Avid Media Composer 6, I have Consolidated Transcoded my Panasonic P2 footage using the DV 25 411 MXF Target Resolution, most, 95%, of our video is shot at 480... When I browse my Avid Media Drive, | Re: File Types from Avid
by Michael Phillips 1 year ago
Correct - you are dealing with basically three things: AAF, AFE, EDL, etc. all represent compositional metadata MXF, QT, etc. represent wrapper (to the essence) and contains metadata about those sourc
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| | | |  | Article: Lightworksby David Battistella 3 years ago Lightworks Lightworks Professional editing goes open source: top editors describe a powerful editing tool being unleashed on the public. Review, People Interview 06 24 2010 Author: David Batti+4 | Re: Lightworks
by Michael Phillips 3 years ago
Are those really the FCP numbers All indications are somewhere in the 1.5M - 1.8M range and includes FC express, Final Cut Pro and Final Cut Studio. Not just Final Cut Pro. At least that's what I read
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| | | | | Editing at a distance.by Jesus Silva 5 years agoHi guys, As an editor I have two features under my belt and this time I will embark in a project that will be shoot 700 miles away. I will be editing from L.A and the producer director are in Tucson. | | | | |
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