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Michael Aranyshev

Michael Aranyshev.

My first editing job was a feature film. The fact I learned what "Quiet on set!" means before I could pronounce these words helped a lot. The fact I was retouching hi-rez scans and laying out magazine spreads for five years befo... [more]
Member Since:
August 20th 2002
1547 Posts
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Location:
MOSCOW MOSKVA
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Pavel Pavlov
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The Mac Pro we dream about?
by Lance Bachelder 7 days ago
Man Apple is blowing it! I figure if they don't have some new uber hardware out by WWDC in June my Mac future may be dwindling... http: www.dell.com content topics topic.aspx global products video en
Re: The Mac Pro we dream about?
by Michael Aranyshev 6 days ago
Walter Soyka "Do you need OS X, or do you need application support " I need things like QuickLook plugin for DPX and ARRIRAW files and the ability to search for timecode in them in Spotlight
Sonnet RackMac Mini Xserver, Quadro 4000, Adobe CS6.
by Jeremy Garchow 2 weeks ago
Takes hacked drivers to get this to work. GUI runs off of internal GPU of mini. CUDA effects runs off of Quadro. http: www.youtube.com watch v=koE5r0Kg1Rc o_0 Jeremy
+1
Jason Jenkins liked this 2 weeks ago
Re: Sonnet RackMac Mini Xserver, Quadro 4000, Adobe CS6.
by Michael Aranyshev 2 weeks ago
I always wondered why wouldn't BMD stick a couple of GPU's into Multibridge.
Exporting A TGA Image stream (Lossless) from Final Cut Pro 7 for a VFX work
by Krish Nightstar 3 weeks ago
HI All, Iam quite stuck, i have spoken to numerous VFX artists to try and help me fix some elements with my film, however i cannot fir the life of me figure out how to correctly export a lossless Imag
Re: Exporting A TGA Image stream (Lossless) from Final Cut Pro 7 for a VFX work
by Michael Aranyshev 3 weeks ago
Export 10-bit Uncompressed QuickTime movies. Ask your VFX guys to render finished shotes in 10-bit Uncompressed QuickTime movies.
+1
One Year Later, redux: Apple, FCPX and The Perfect Roll-out
by Tim Wilson 3 weeks ago
David Roth Weiss asked me to explain my frequently stated belief that Apple's roll-out of FCPX was perfect, and the immediate EOL of FCP 7 was essential. Good question. Simply stated: There is nothing
+3
Shawn Miller liked this 3 weeks ago
Re: One Year Later, redux: Apple, FCPX and The Perfect Roll-out
by Michael Aranyshev 3 weeks ago
Tim Wilson " FCPX LOOKS and ACTS like it was made by Apple." I was taken aback by the statement first. Then I thought it over and realized that Apple abandoned its own HIG years ago so in that light
Forum names
by Steve Connor 4 weeks ago
Is it time for a rename of the forum yet Or alternatively renaming the FCPX techniques forum just FCPX Is the " techniques" part of the name putting off people from general discussion about FCPX over
+1
Jason Jenkins liked this 4 weeks ago
Re: Forum names
by Michael Aranyshev 4 weeks ago
Steve Connor "Is the " techniques" part of the name putting off people from general discussion about FCPX over there " I usually read before I post so the content of a forum is always the better indi
Avid editor confused with "JKL" and Insert Clip
by Bryan Singer 4 weeks ago
Hi folks, Please share your wisdom, and let me know what I'm doing wrong :) I'm an AVID editor by trade, and am cutting some stuff in FCP7. My AVID workflow when editing an interview is to use "JKL" t
Re: Avid editor confused with "JKL" and Insert Clip
by Michael Aranyshev 4 weeks ago
There is no way around Q. You may want to try to turn the situation inside out though. Drop the whole clip to timeline and IO and ripple delete the unwanted parts.
Smoke is changing- into Final Cut Extreme
by Greg Andonian 1 month ago
So I went to the legacy FCP forum to see if anything was being said over there about the CS6 update, and while I was there I found an interesting thread by Walter Biscardi about the smoke transformati
Re: Smoke is changing- into Final Cut Extreme- New Features Page?
by Michael Aranyshev 1 month ago
Andrew Richards "The guys making a living off film and tape work have to keep on working and they can't just sit still with FCP7 forever. They've got better alternatives now than ever before. " The a
Arri Alexa footage
by Mike Garcia 1 month ago
Why is it that the arri alexa footage has a grey tint to it I think the footage has to be color corrected, but why does it first appear dark and grey
Re: Arri Alexa footage
by Michael Aranyshev 1 month ago
Because color correction is basically the process of increasing contrast in parts of the image that you want to draw attention to. But to have headroom for increasing contrast you need to start with l
Smoke... is Changing. at NAB???
by David Jahns 1 month ago
(...because speculation was so much fun last year with FCP-X, right ) Anyone seen these Smoke teaser ads "Smoke is Changing. Everything." (promo event next Sunday in Vegas.) http: www.smokeischanging.
Re: Smoke... is Changing. at NAB???
by Michael Aranyshev 1 month ago
Brian Mulligan "Is FCP7 or Premiere 5.5 really great at media management " I don't know about Premiere but FCP7 is great at media management because it doesn't attempt. It let me manage my media and
Questions for CS6
by Dennis Radeke 1 month ago
Hi all, I'm very busy prepping for NAB and hope to see some of you there. That said, I always enjoy supporting this community and so... While I expect that many of the questions that might be asked, I
Re: Questions for CS6
by Michael Aranyshev 1 month ago
Thanks Kevin. I filed the feature request but it wasn't about "Merge clips". It was about copying and pasting back and forth between project and timeline. "Merge Clips" doesn't belong in the timeline.
Master Prores to HDCAM-SR Textless Timecode!
by alex diaz 1 month ago
Hello, I'm working trial by fire to deliver all the master materials for delivery of a movie. I'll have a prores copy of my movie to export to HDCAM-SR. The distributors want the titles to be in for t
Re: Master Prores to HDCAM-SR Textless Timecode!
by Michael Aranyshev 1 month ago
It is doable. You either record to tape in insert mode or prestripe the tape with several TC starting points on the same tape. Keep in mind though that a VTR needs preroll and postroll. So make your Q
Full new features list for PrPro CS6
by David Cherniack 1 month ago
http: success.adobe.com assets en downloads guides Pr_CS6_WN_Reveal.pdf All of them are great. My personal favorite is the CUDA (and openCL) real time (after background analysis) Warp stabilization. H
Re: Full new features list for PrPro CS6
by Michael Aranyshev 1 month ago
FCP did scrubbing in thumbnails in 1999. No marking though.
Finalizing My First Major Workflow
by Broggi Khaikin 1 month ago
About to start my first major edit of festival film. The film is now wrapped and I wanted to share my master workflow with the CC community and get any feedback if anyone is interested. 1. Convert all
Re: Finalizing My First Major Workflow
by Michael Aranyshev 1 month ago
Broggi Khaikin " " Tough call. I used PluralEyes on music videos where shots are few but several minutes long and you end up with a dozen of angles multiclip. I have no idea how PluralEyes will handl
What fastest way to sync video (no sound) and master audio clips?
by Pavel Pavlov 1 month ago
Hi! What is the best way for the following tasks: There are a number of video clips without sound and a number of audio clips to them (master audio). I need create video with sync audio clips for next
Re: What fastest way to sync video (no sound) and master audio clips?
by Michael Aranyshev 1 month ago
Thanks. Sounds very interesting.
Need OMF Export to retrieve Production Audio from Merged Clips!
by Adrian Makai 1 month ago
Hello, I've searched the Final Cut manual and asked my post contacts but no luck - hoping someone here knows this stuff... I am editing a feature. The assistant editor had created merged clips in the
Re: Need OMF Export to retrieve Production Audio from Merged Clips!
by Michael Aranyshev 1 month ago
Call your assistant and tell him to rename every merged clip according to the slate in the Browser. The names in the cut would change accordingly unless you made them independent.
Extend edit to fill a gap without using the mouse
by Graham Hutchins 1 month ago
Hello all, Looked around the interwebz and on CC and found a partial answer to how to execute what I'm trying to accomplish, but I feel there's a better way and I'm just not finding it. Here's a still
Re: Extend edit to fill a gap without using the mouse
by Michael Aranyshev 1 month ago
I prefer I and shift-I because O is inclusive. Use it all the time to roll-trim when I need to trim more than a couple of frames.
Does anyone actually edit in smoke ?
by Gabriele Turchi 2 months ago
i was watching some tutorials and i have just realized that smoke have the source and record viewer ... i am wondering : does anyone actually edit in smoke it is a crazy idea off course would be an ex
Re: Does anyone actually edit in smoke ?
by Michael Aranyshev 1 month ago
Hans von Sonntag "Most editor who are used to FCP move clips in the timeline gesturally." Not me. I use Roll Ripple, Slip Slide, Ripple Delete, Ripple Cut and Insert Paste a lot. All from keyboard.
Edit require target items to be linked
by Dean Hill 1 month ago
FCP 7, OS 10.7.3, Macbook Pro. In trying to replace a clip on the timeline, I get "this edit requires all target items to be linked" message. The new clip and target clip come from source files are id
Re: Edit require target items to be linked
by Michael Aranyshev 1 month ago
Gang Viewer and Canvas, stride down the timeline past the dissolve and the split, then replace.
Paying to work for free - be very angry
by Craig Seeman 2 months ago
Interesting blog post on how using tuition paying students for professional work and how it's being subsidized. Alas it may be a viable business model. Of course in the long run how many are going to
Re: Paying to work for free - be very angry
by Michael Aranyshev 2 months ago
Welcome back to Middle Ages. My guess it's going to backfire. How many rotoscoped 4k frames a week can you expect from a guy who just paid a hundred grands to learn magic First week Second week Sevent
+1
field and post production data management
by Elliott Choi 2 months ago
Hello, First time posting so excuse me if this is in the wrong section, but this seemed like the place to ask questions about how to set up for a new production post production company in terms of dat
Re: field and post production data management
by Michael Aranyshev 2 months ago
Whatever software you use in the field should have a checksum and create report of what was copied and where. You should have some form of LTO back-up in the house. You should keep one copy offsite.
+1
FCP to PP - a few questions
by Brian Dawley 2 months ago
Hello, I'm an eventual FCP defector and just used Premiere Pro for a really basic job and I like what I see so far. Have I read the entire manual yet No, but I did find a lot of info in the Adobe Help
Re: FCP to PP - a few questions
by Michael Aranyshev 2 months ago
Mike Molenda "Since you need to use the mouse to select the clip, why not just drag it slightly to a new track while you're down there " You don't need to use the mouse to select the clip in FCP. X,
Another ARRI workflow/metadata question
by Brittany DeLillo 2 months ago
Hey everyone. We have some high-profile TV work due in a week and a half. 600GB of ProRes 4444 Log-C footage. It was captured from the SxS cards using software from ARRI's site I believe. I'm going to
Re: Another ARRI workflow/metadata question
by Michael Aranyshev 2 months ago
Not all of Decklinks support LUT's. Go to System Preferences Blackmagic Design Processing Output Processing. If there is a "Lookup Table" button and it is not grayed out you're lucky. The list of supp
Film Editor looking for job
by Michael Aranyshev 2 months ago
From the first bunch of dailies till the last answer print. 16 mm, 35 mm, Red R3D, Arri ARRIRAW, Phantom Cine workflows. Fimography
Article: Real World Editing: From Avid to FCP and Back Again
by Mark Raudonis 4 months ago
Apple FCPX or Not: The Debate Real World Editing: From Avid to FCP and Back Again The inside story of reality TV giants Bunim Murray Productions, and their trip from Avid Media Composer to Apple Fina
+6
Rafael Amador liked this 4 months ago
Re: Article: Real World Editing: From Avid to FCP and Back Again
by Michael Aranyshev 4 months ago
Andy Neil "it didn't support video out except through FireWire" Not true
ergonomics: video editing efficiency and the right tool for the task
by rodrigo fajardo 4 months ago
Hi guys it has been some months since i found some pain in my knuckles and hand fingers because of too much work and too much mouse used in the desk. (im a video editor) i decided to switch from mouse
Re: ergonomics: video editing efficiency and the right tool for the task
by Michael Aranyshev 4 months ago
I mainly use the Kensington Expert Mouse but I also have some older Logitech thumb trackball to take around. The real solution for me though is to use keyboard shortcuts as much as possible.
Losing a job to FCP users.
by Alan Kelley 9 months ago
Anyone have similar experiences I get a client, we do a day's work. She's happy and excited by the end of the day. Next day, 180 degree turn around. Her old editor had told her a project on Avid PC (m
Re: Losing a job to FCP users.
by Michael Aranyshev 8 months ago
You're not losing a job to an FCP guy. You're losing it to a FUD guy. Happens all the time.
Blog: The realization sets in
by gary adcock 10 months ago
So, When I posted the first comments on FCPX 4 weeks ago, I thought I was going to be strung up and burned at the stake by some of the commentary. Now everyone seems resolute to the fact that FCPX is
Re: Blog: The realization sets in
by Michael Aranyshev 10 months ago
Chris Kenny "This is like arguing against folders, because Real Men can keep track of all of their files in one huge list." You implied not using folders is nonsense. I'm saying people do use folders
FCPX and Glue Tools.
by Robert Monaghan 11 months ago
Hi Everyone, Glue Tools software currently works perfectly with MacOSX 10.6.x and 10.5.8. It continues to work perfectly with all of the software packages we have always supported. Unfortunately, I ha
Re: FCPX and Glue Tools.
by Michael Aranyshev 10 months ago
Robert, I didn't buy any equipment from s.two. They don't have tools to manage their libraries and even if they had these tools would work only with material recorded with their gear. Are we done with
ARRI DIT Expectations
by Joella Davis 10 months ago
Hey, I have experience with the Alexa Camera from a 1st and 2nd AC position on some low budget sets. Before it was just experience with straight data management, REC 709, and ProRes 422. I've gotten t
Re: ARRI DIT Expectations
by Michael Aranyshev 10 months ago
Check here: http: forums.creativecow.net thread 45 879529
The Magnetic Timeline – What’s The Paradigm?
by David Lawrence 10 months ago
Thanks again for your interest everyone. If you re new to this thread you can learn about my background here: http: forums.creativecow.net thread 335 9060 I originally started writing a brain dump of
+6
Michael Aranyshev liked this 10 months ago
Re: The Magnetic Timeline – What’s The Paradigm?
by David Lawrence 10 months ago
Everyone, the discussion continues here: http: forums.creativecow.net readpost 335 11511 Looking forward to your thoughts. _______________________ David Lawrence art media design research propaganda.c
For documentarists
by Miha Pece 11 months ago
Now you can maybe get false impression that FCPX gained a lot for free-form editing (trailers, spots) and others loose. Let me just mention one neat feature for very linear workflow. In editing observ
Re: For documentarists
by Michael Aranyshev 11 months ago
It isn't 3-4 clicks. It is exactly 2 keystrokes in FCP7: X then O to ripple head, X then I to ripple tail.
"Gang" emulation?
by Simon Ubsdell 11 months ago
Does anyone know how one might go about emulating the Gang behaviour that we used to know I don't of course mean gang to the same clip which it does automatically if you hit Shift F - I mean gang to a
Re: "Gang" emulation?
by Michael Aranyshev 11 months ago
Simon Ubsdell "for many purposes" Invaluable for syncing dailies.
Apple answers some of you Questions
by gary adcock 11 months ago
There are fewer times than I have fingers that Apple has made announcements regarding un-released featues for an exsisting product. http: www.apple.com finalcutpro faq This page on the Apple website h
Re: Apple answers some of you Questions
by Michael Aranyshev 11 months ago
gary adcock "(highend data management tools like the Fotokem's NextLab do this on ingest) " Both FCP and FCPX also read it just fine. It won't help though to automatically put Scene_123A Take_03 to t
Apple FAQ on FCPX: the Real Thing
by Gregorio Paolini 11 months ago
A friend of mine was able to send me the first draft of the Apple FAQ on FCPX that were published today. Sorry for his english, he transcribed everything but he is from India. "Import Can I import pro
+4
Michael Aranyshev liked this 11 months ago
Re: Apple FAQ on FCPX: the Real Thing
by Anthony Heath 11 months ago
I honestly love how it reads with an Indian accent. Very funny. Anthony Heath
Best way to edit this scene with FCP X?
by Bill Marcellus 11 months ago
So, here is the situation. I have a three minute long song and dance scene. It was shot with a reference music track running on set. The final edit needs to sync with a master music track of the song.
Re: Best way to edit this scene with FCP X?
by Michael Aranyshev 11 months ago
Mark Suszko "We used the razor tool to slice thru all the tracks at each cut point (we ran a realtime playback pass first and just tapped the key to create a marker at each cut point we wanted, then
FCPX Magnetic Timeline
by Nelson Torres 11 months ago
What are the advantages of the magnetic timeline I know you have to jump through hoops to get rid of the audio from video clips. I tried iMovie's version of the MT and didn't care for the idea at all.
Re: FCPX Magnetic Timeline
by Aindreas Gallagher 11 months ago
that is a classy response - my two cent - the position tool is not an annulment of the magnetic timeline. FCPX can have no gaps - you can hold a modifier and - horror of horrors - allow a clip to trav
+2
Michael Aranyshev liked this 11 months ago
ARRIRAW, offline editing and conform in Resolve
by Christopher Tay 11 months ago
Hi, For ARRIRAW files, how do you go about making editable Quicktime clips for offline editing and then later conform in Resolve to the ARRIRAW files from the EDL generated from the offline -chrispy
Re: ARRIRAW, offline editing and conform in Resolve
by Michael Aranyshev 11 months ago
For offline though Silverstack 1.6 is discontinued I think you can get it from Pomfort if you ask nicely. Haven't tested it with Alexa RAW, only with D-21. Can do delog, LUTs, manual color, scale, cro
Good work routines in FCP
by Toni Martin Dobrzanski 1 year ago
I've been using FCP in my old days but the last couple of years I've done everything in Adobe Premiere Pro and found a really quick and good work flow. But now I've gone back to using FCP 7 and I am s
Re: Good work routines in FCP
by Michael Aranyshev 1 year ago
Shane Ross "Change it on one. Copy and then PASTE ATTRIBUTES to all the others you want to change." Command-A to select all. Control-Comma, Control-Stop, Control-Slash pan left, center, right. Shane
+2
Michael Aranyshev liked this 1 year ago
Alexa Log-C on FCP - 3D LUTs
by Steve Shaw 1 year ago
On one of the FCP threads I started it's become apparent that ICC profiles can be used by FCP to control the look of clips. ICC profiles can be applied to clips via Effects Video Filters Quicktime Col
Re: Alexa Log-C on FCP - 3D LUTs
by Michael Aranyshev 1 year ago
Steve Shaw "Are FCP users interested in this " We are interested but isn't SpaceMan a Windows app
Goodbye Apple MacBookPro , hello Mobile Hackintosh
by Sascha Haber 1 year ago
http: www.macrumors.com 2011 02 24 macbook-pros-with-thunderbolt-ati-amd-graphics just rumors, I know, but still... A slice of color... DaVinci 7.1 OSX 10.6.6 Dual Xeon 2,4 RAM 24 GB RAID0 8TB eSata 6
Re: Goodbye Apple MacBookPro , hello Mobile Hackintosh
by Michael Aranyshev 1 year ago
Alex Geroulaitis "unless someone comes up with a way to implement networking over TB. " Check CalDigit SuperShare or Maxtronic ExaSAN


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