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Mark Curry:ActivityAbout
Mark Curry

Member Since:
November 21st 2006
65 Posts
Location:
Vancouver
Make Color render all of the source clips?
by Mark Curry 2 years ago
I'd like Color to render all of the source clips (not just the portion trimmed within the FCP Sequence. In other words, once Sent back to FCP, I'd like to be able to extend any of the edits on the (fr
Re: Make Color render all of the source clips?
by Mark Curry 2 years ago
Works perfectly. Thanks.
Color mistakenly rendering 23.98 to 24fps
by Mark Curry 2 years ago
Hi, I have material shot on the Canon Mark 5D II at 23.98 (via most recent Canon firmware). I transcoded to ProRes 422 (HQ) - straight ProRes encode not changing any of the video characteristics other
Re: Color mistakenly rendering 23.98 to 24fps
by Mark Curry 2 years ago
Hi Andrew, Huh works. How about that. I ran a few quick subsequent tests: - I found that it worked whether or not recompress all frames was checked. - Then tested to see if the Send to Color was the i
MXO with 60 versus 59.94 Hz LCD
by Mark Curry 2 years ago
Hello, I bought the MXO to do color grading via a DVI monitor. I waited forever to buy a used LCD ACD. I finally gave up waiting and bought the HP LP2475w monitor for use with my new MXO. This is a 19
Re: MXO with 60 versus 59.94 Hz LCD
by Mark Curry 2 years ago
For those who may be interested, I finally got an answer from Matrox: "Basically the MXO product can output video to a video monitor via SDI, component, s-video or composite. It has two modes for outp
Fitting CS4 PAR into a CS3 PAR workflow
by Mark Curry 3 years ago
OK, this one is quite a mind field, but here goes. I've spent some time reading up on the new PAR (pixel aspect ratio) that CS4 uses. Excellent articles here and here. My primary question is what to d
Re: Fitting CS4 PAR into a CS3 PAR workflow
by Mark Curry 3 years ago
Thanks Roland, this is good to hear. I have come across others stating this as well. I should do a test to satisfy myself, but for now I'm going to stop bearing myself up over this and get to work.
Dealing with new CS4 872x486 spec
by Mark Curry 3 years ago
Hi, I have menu artwork at 960x540 which is 16x9. However, I know that one should create NTSC 16x9 graphics at 872x486 (for square pixel workflow) according to Adobe CS4 new presets and as well explai
Re: Multiclip
by Mark Curry 3 years ago
Yeah that is weird.
MXO2 capture non-standard frame size?
by Mark Curry 4 years ago
Can the Matrox MXO2 capture video at non-standard video frame sizes I need to transcode various formats to unusual frame sizes (448x336 and 800x600). Yes, I can of course capture to a standard (i.e. 7
Re: MXO2 capture non-standard frame size?
by Mark Curry 4 years ago
Thanks Shane. This is what I expected. Unfortunately, it will add a lot of time as I have a great number of titles adding up to a lot of media to transcode. The codec doesn't matter; the machine can p
Custom Capture and Sequence Preset
by Mark Curry 4 years ago
Hi, I'm looking to transcode videos of countless formats (SD, HD, PAL, etc) to a single format in order to conform for a large LED display of resolution 448x336. Can I create an Uncompressed or ProRes
Re: Custom Capture and Sequence Preset
by Mark Curry 4 years ago
Thanks Gary, Yes I'm not surprised I can't capture to a non-standard size. I'll give Episode a try especially in light of this specific advantage over Compressor. I've used the Teranex before for stan
Blur Edges Only
by Mark Curry 5 years ago
OK, this should be easy, but I'm stumped. I have a progressive video clip that has jaggy edges. I want to apply a (0.4 pixel) gaussian blur to the edges only. However, I cannot figure out how to isola
Re: Blur Edges Only
by Mark Curry 5 years ago
Thanks Darby, that's got it. A simple solution (once you know it).
Dual Display w/ Full Screen- explain, give feedback
by Mark Curry 5 years ago
Hi, I'd like to make use of Color's dual display capability with my 24" alum. iMac. I'm considering buying a cheap 1680x1050 monitor and using my 24" iMac display for scopes and video. I know that the
Re: Dual Display w/ Full Screen- explain, give feedback
by Mark Curry 5 years ago
Alright, thanks David. I won't do any Color or image adjustment work for video.
720p60 Playback Issue
by Mark Curry 5 years ago
Hello, I'm editing a 720p60 piece that consists of a continuous, very smooth motion dolly (on tracks) pan. However, on QuickTime playback the video exhibits occasional stutters. These stutters are not
Re: 720p60 Playback Issue
by Mark Curry 5 years ago
This doesn't make sense to me. I know that browsers, players, etc interpret video differently (i.e. you cannot control these factors), but this is something else. A low data rate, simple, spatially co
Stuttery HDV Playback
by Mark Curry 5 years ago
Hello, I'm editing a 720p60 piece that consists of a continuous, very smooth motion dolly (on tracks) pan. However, on QuickTime playback the video exhibits occasional stutters. These stutters are not
Re: Stuttery HDV Playback
by Mark Curry 5 years ago
Just had a new idea. As our final output is letterbox SD (.h264), how about we try doing a hardware downconvert via the camera. As round-tripping to HDV via the camera is fine, perhaps downconversion
Photo-JPEG Workflow
by Mark Curry 5 years ago
Hi, I'm planning a workflow that entails high resolution, lossless, simple motion graphics work within FCP followed by conversion to a playable QT for a current Mac Mini. This is my workflow: 1. Impor
Re: Photo-JPEG Workflow
by Mark Curry 5 years ago
Yes the PNG's are sequential. However, I will need to edit out sections: specifically, editing out 24 frames every 48 frames beginning approx 1 3 into the sequence.
Recommended preservation quality SD capture card
by Mark Curry 7 years ago
Hello, I'm wanting to migrate 3 4", BetaSP, and DigiBeta sources to a "preservation" quality codec file. Ideally, I would like 4:4:4, 10-bit, YUV. Of these 3 specs I think the most important is the co
Re: Recommended preservation quality SD capture card
by Mark Curry 6 years ago
Hi David, My thread states my purpose re: 4:4:4 SD - in short, this is a digital preservation job. There isn't much point rendering a 4:2:2 capture to 4:4:4. The codec and drives aren't the issue. The


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