| | |
|  | | |
| | |
| | |
|  | After Effects Davinci Workflowby James Harding 3 weeks agoHi guys, I don't know much about workflow, all I know is that I have done some visual effects in After Effects which contains lots of video files overlayed and composited with effects on the files. Ho | Re: After Effects Davinci Workflow by Joseph Owens 3 weeks ago James Harding "I have done some visual effects in After Effects which contains lots of video files overlayed and composited with effects on the files. " Like fine cuisine that requires a few steps in
+1 |
| |
| | |
| | |
|  | Copyright questionby Jonny Cates 3 weeks agoI see conflicting opinions regarding the copyrights in using loops and jingles from soundtrack pro. I was under the impression the copyrights were all usable since they came with the program. I just g | Re: Copyright question by Joseph Owens 3 weeks ago Sorry -- the two middle paragraphs concerning Patty Smith Hill are from IMDB. Hope the SWAT team doesn't show up before I can issue the atrribution. jPo "I always pass on free advice -- its never of a
+1 |
| |
| | |
| | |
|  | paid support optionby Toby Risk 4 weeks agoHi I'm sure I've seen this discussed before, but I can't find the thread or any links on BMD's website. Is there a paid telephone support option for Resolve, and where can I find the information Thank | |
| | |
| | |
|  | Sharpenby stig olsen 1 month agoHi, What is your preferable amount of sharpnes on object, environments and faces How do you use it It would be great with some opinions on that. Im mainly working on material shoot with Epic and Alexa | Re: Sharpen by Joseph Owens 4 weeks ago Paul Provost "But pull a luma key on the shadows first. Especially on the epic stuff." This is probably a more even-tempered approach. The other edge of the sword, when you introduce what old timers
+1 |
| |
| | |
| | |
|  | Best Intentionsby Joseph Owens 1 month agoWE all know which road is paved with these. What I wish to pass along are my profound thanks to all who put up with me during the NAB exhibit and various meets that we attended... and it was great tou+1 | |
| | |
| | |
|  | Pre NABby Margus Voll 2 months agoLook here: http: liftgammagain.com forum index.php threads wait-whaaaaah.1138 #post-6113 -- Margus http: iconstudios.eu https: vimeo.com iconstudioseu videos DaVinci 9, OSX 10.7.4 MacPro 5.1 2x2,93 24 | Re: Pre NAB by Joseph Owens 2 months ago Joakim Ziegler "lots of people would be willing to pay extra for some more DCP-oriented output. I don't think they need full DCP authoring in Resolve," I have some money tied up in DCP authoring alre
+1 |
| |
| | |
| | |
|  | Will Resolve work with this setup?by Ron Pestes 2 months agoHello, I downloaded the free version of Resolve but after I installed it and tried to open it, it said I did not have a licenced dongle attached. Why do I need that This is supposed to be the free ver | |
| | |
| | |
|  | Documentary productionby Doug Rankin 2 months agoI'm currently editing a documentary which I've been filming for over a year. It will likely be distributed initially on standard DVD but I'm making it high-res 16:9 in case I need it in the future. My | Re: Documentary production by Joseph Owens 2 months ago I make my own BluRays, more or less from the FCP timeline and maybe a supplied ac3 from a mixing house. You can also send a ProRes master, HDCam, or whatever a mastering duplication centre prefers. Ge
+1 |
| |
| | |
| | |
|  | Davinci XML set to 24 instead of 23.976by Greg Penetrante 2 months agoHello, I Am using 9.1.1 OS X.. I export a 1080p23.976 sequence using XML from Premiere. I grade, render out, and export fcp 7 XML from Davinci. When I import back into Premiere CS6, the resulting time | |
| | |
| | |
|  | Color Grading Pluginsby Jose Santiago 2 months agoCan someone tell me what plugins or software were used to achieve these color graded looks http: www.youtube.com watch v=uNtCadeOqvc | Re: Color Grading Plugins by Joseph Owens 2 months ago There are some sticky fingerprints in this pop promo that suggest that GenArts Sapphire plugins may have been involved, but, you know without the watermarks, hard to tell. Worth checking out, even if
+1 |
| |
| | |
| | |
|  | Wrong angle shot!by Jodasche Michael 2 months agoHey Guys, basically my camera man recorded a subject from a side angle instead of straight on. I require that the person is looking at the camera when speaking. Is there anyway I can edit the shot to  | Re: Wrong angle shot! by Joseph Owens 2 months ago Thanks a lot guys. That just cost me $50,000. See if I ever buy you drinks at the NAB after party again. I might suggest a large, slightly out of focus black&white (maybe halftone-process) background
+1 |
| |
| | |
| | |
|  | NAB and FCP Xby Michael Sanders 2 months agoNAB isn't far away - surely it's about time the rumours started Michael Sanders London Based DP Editor | Re: NAB and FCP X by Joseph Owens 2 months ago Marcus Moore "Exactly, we need organization, but not "tracks" as other NLEs have them. Track information is just another form of metadata. What we need is for Role info to be represented in the timel
+2 |
| |
| | |