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Joseph Owens:ActivityAboutLikedPopularVideosImages

Colourist/ Post Production Specialist
with 30 years of production / online / FX / Dailies and Mastering experience.
Member Since:
December 4th 2006
3465 Posts
100 posts500 posts1000 posts
Location:
Edmonton, Alberta, Canada
Friends:

Eric Hansen

Gary Shaw

Juan Salvo

kim krause

Laco Gaal

Robbie Carman
the new mac pro is the son of R2D2 and Darth Vader
by Craig Alan 1 week ago

+3
larry towers liked this 1 week ago
Re: the new mac pro is the son of R2D2 and Darth Vader
by Joseph Owens 1 week ago
Gary Huff "some people are gravely offended by these kinds of images..." Quoting "Salmon Fishing in the Yemen"... its very difficult to offend someone who really has Asperger's... jPo "I always pass
Whoever caught this is a Genius.
by Greg Lee 1 week ago
Couldn't script it better. https: dl.dropboxusercontent.com u 35257673 Screen_Shot_MacPro.jpg
Re: Whoever caught this is a Genius.
by Joseph Owens 1 week ago
Harry Pallenberg "nice" Will Apple then be releasing its own brand of coffee to compete with Starbucks Your "Java" in the morning, via a Thunderbolt port. jPo "I always pass on free advice -- its nev
Resolve & New Mac Pro
by Paul Kim 1 week ago
Any thoughts on using Resolve 10, with Blackmagic cards and all necessary accompaniments, on the new Mac Pro as teased today
Re: Resolve & New Mac Pro
by Joseph Owens 1 week ago
However, if you can find Grant Petty's statement (search the Resolve forum on this site), you will find that apparently Blackmagic has already been testing the device. They seem to be departing from s
Multi-layer opacity support
by Eugene Lehnert 1 week ago
I am experiencing compositing errors inside of DaVinci Resolve. The compositing mode is set to screen, there are opacity changes and there are dissolves on the edits. During the dissolve the composite
Re: Multi-layer opacity support
by Joseph Owens 1 week ago
Eugene Lehnert "I am downloaded the new update at the moment to see if this improves the problem. Specifically 9.1.4" That probably won't help, and it would be surprising if this wasn't fixed until R
New Mac Pro
by Vladimir Kucherov 1 week ago
Thoughts Basically a CPU core and all expansion via Thunderbolt. Makes a lot of sense. I wonder if there will be an elegant enclosure to hold all the bits together and how much they'll sell the variou
Re: New Mac Pro
by Joseph Owens 1 week ago
Nate Weaver " I don't see any reason for Grant to go out of his way to say something like that other than it's really the way he feels." Hard to say. However, having been around computers for 40 year
+1
How to achieve this look?
by andrew smith 2 weeks ago
http: youtu.be ytIfSuy_mOA Curious to get some opinions on how best to achieve the looks in this video with Resolve. Thank you
Re: How to achieve this look?
by Joseph Owens 1 week ago
brandon thomas "Surprisingly.. Super 16." Which I have seen either tack-sharp to the extent of *why would you bother with 35 * or *OMG, was the lens loose in the mount* Which wouldn't be too dissimil
No video in Color timeline - Unknown Codec?
by Peter Wiley 2 weeks ago
I have imported a project edited in Premiere Pro CS6 into Resolve via XML. All of the clip information (in points & out points) appears to come in, but Resolve is not displaying any video on the Color
Re: No video in Color timeline - Unknown Codec?
by Joseph Owens 2 weeks ago
There are other factors -- most commonly punctuation in the file name like a ' '. jPo "I always pass on free advice -- its never of any use to me" Oscar Wilde.
Since everyone here is old and grumpy...
by Charlie Austin 2 weeks ago
I thought this would bring a smile to all. :-) I present to you, Google as it would have been seen in the 80's ... http: www.masswerk.at googleBBS There's some really fun stuff on their site, includin
+4
Aindreas Gallagher liked this 2 weeks ago
Re: Since everyone here is old and grumpy...
by Joseph Owens 2 weeks ago
Charlie Austin " including the best 404 page on the internet." Awwww...... "Space Invaders".... I'm going to go sit in the corner with a lump in my throat for a while. Anyway. Been trying to figure o
680s, 780s, Titans
by Paul King 2 weeks ago
Hi All Here comes that same question again re GPUs. I have to deliver a new Resolve system. It will be based on the Supermicro board and the client wants to do 4k. So to do 4k you need 4 x 680 @ 6000
Re: 680s, 780s, Titans
by Joseph Owens 2 weeks ago
Paul King "An expansion chassis has always been a very expensive option and only serves to house what will become redundant technology." My hope is that an expansion chassis is as beneficial as the c
Copying Grades from Different Projects
by Dan Edwards 2 weeks ago
Hello all! I have a tricky question. A client handed me a single ProRes file of an edit of a promo to grade for testing purposes. I then threw it into Premiere, broke it down into clips, then did an X
Re: Copying Grades from Different Projects
by Joseph Owens 2 weeks ago
Dan Edwards "t can't seem to transfer them between projects" You should be able to drill through the stills browser into the original project, and then copy them into the new project. If you chose to
2 questions about still import
by Lorne Wright 2 weeks ago
Hello, Couple of questions about still import which are pretty simple but I can't find an answer in the manual. 1) In the media pool, I am adding a series of 30 title stills (Resolve 9.1.3 full versio
Re: 2 questions about still import
by Joseph Owens 2 weeks ago
"Stills" in the context of Resolve, refers to reference frames used for comparing color treatments. like the stills you grab from the source footage to use as guide and grade storage. Not as active so
+1
Issues with reconfirm.
by Justin Keating 2 weeks ago
Hi all, I'm new to Color, I've only used it for a few small projects over recent months. An edit had to be updated so I sent the NEW sequence XML (Not the original. Yes, facepalm indeed) to the Color
Re: Issues with reconfirm.
by Joseph Owens 2 weeks ago
Unless you opened the exported XML in the original project, the Send To... command creates a new project that has no memory of any previous versions, no matter how similar. Depending on how the timeli
Now we know why FCPX, Motion and Compressor are so modestly priced
by Mark Dobson 3 weeks ago
Apple seems to be ahead of the tax game and proud of it. Sure they are not alone, all of the big globals are using sophisticated and entirely legal methods to dramatically cut their Tax commitments. A
Re: Now we know why FCPX, Motion and Compressor are so modestly priced
by Joseph Owens 3 weeks ago
Craig Seeman " that scene in Network." The year I started in television. What a load, and quite a bizarre mix of neo-social solipstic capitalism that obviously did not figure on the 0.1% and their vi
18 HOUR RENDER TIME!!!! Is that normal?
by Jenessa Kenway 3 weeks ago
Hi all, What is a normal amount of time for a high quality export out of FCP 7 I usually work with PremierPro but chose to assemble Mp4 clips created in Premiere in FCP for my final video output. The
Re: 18 HOUR RENDER TIME!!!! Is that normal?
by Joseph Owens 3 weeks ago
When you are advised to recompress your H264 mp4 type footage to a format like ProRes, what you are really being asked to do is convert your footage from a "Long-GOP" (Group-of-Pictures) format to an
"there are no clips selected that have files associated with them"
by Paul Dougherty 3 weeks ago
I moved a FCP 7 project from a job site home, all the ProRes movies connect but one. When I get the prompt that media is off-line, I go to reconnect and get this.... "there are no clips selected that
Re: "there are no clips selected that have files associated with them"
by Joseph Owens 3 weeks ago
Paul Dougherty "a mis-match. Which doesn't make sense, there is no other copy to that it could be mixed up with... corrupted " That's what it sounds like. Check your source media directory for clips
Can I Export AC3 Dolby 5.1 Audio with Final Cut Pro 7 ??
by Matt Frame 3 weeks ago
Hi Folks, I'm stumped in regards to AC3 DD 5.1 files exported from FCP7. If I create a mastered and mixed Dolby 5.1 AC3 file in Soundtrack Pro 3.01 and import that AC3 file back into my project in FCP
Re: Can I Export AC3 Dolby 5.1 Audio with Final Cut Pro 7 ??
by Joseph Owens 3 weeks ago
Matt Frame "Also, as an aside, would the blu ray simply play the audio as 2 channel stereo if the end user does not have DD 5.1 capabilities " That should be the default behaviour of a modern disk pl
Subtitles Drop Shadow
by Sridhar Kumar 3 weeks ago
Hello All: I am editing a foreign film and adding subtitles to it. I added drop shadow to the subtitles. FCP default setting was: Offset 2, Angle 135, Softness 10, Opacity 100. Is this the standard us
Re: Subtitles Drop Shadow
by Joseph Owens 3 weeks ago
Nick Meyers "an outline is more common than drop shadow" I usually go with a 1 pixel outline when creating subtitles in MacCaption or Encore. jPo "I always pass on free advice -- its never of any use
Apple confirms 10 June WWDC 2013 keynote
by Mark Dobson 3 weeks ago
I've just read that 'Apple confirms 10 June WWDC 2013 keynote.' So could this be where the new MacPro gets announced or there's news of a new update of FCPX. I would imagine a lot of Premiere Pro user
Re: Apple confirms 10 June WWDC 2013 keynote
by Joseph Owens 3 weeks ago
Craig Seeman "we might be clued in on potential advances in both the ProApps or, at least, the OS they depend on." Like OS 10.8.4, or beyond, which should open up more GPUs to we of the Resolve commu
FCP 7 vs FCP X: The Bottom Line: I'd like to know what you pros think
by Lawrence Richards 4 weeks ago
Hello All, For me, I'm struggling to make myself appreciate X for all the things it allows one to do vs all the things it seems to just make more difficult and am constantly thinking "OK, I'll do all
Re: FCP 7 vs FCP X: The Bottom Line: I'd like to know what you pros think
by Joseph Owens 3 weeks ago
Andreas Kiel "When I was younger I was an "every day all night amateur player" and one day I met the German champion, and I won four times in a row." Wow. That is an achievement. Out of curiosity, th
Lite and Full version on same machine?
by Timo Teravainen 3 weeks ago
Is it possible to have both installed on the same machine If not, then is it possible to open projects made with the full version on a machine with lite version I know that it works fine the other way
Re: Lite and Full version on same machine?
by Joseph Owens 3 weeks ago
Timo Teravainen "Is it possible to have both installed on the same machine " Not without extraordinary intervention, like an alternate boot drive. Some operations created in the full license will not
OT: Converting 29.97 to 24p? And the repercussions of doing so?
by Neil Goodman 4 weeks ago
Hello, not necessarily an NLE specific question but you guys all know your stuff here and is the best resource on the net imo. I have just received two Ep's of a show. Normally these are 2 camera shoo
Re: OT: Converting 29.97 to 24p? And the repercussions of doing so?
by Joseph Owens 3 weeks ago
Jeremy Garchow "My first choice, would be to try Compressor. Test both the best and better settings for the frame rate conversion option and of course make sure to leave duration at 100%." Now that I
ColorTrace question
by Jordan Mena 4 weeks ago
I am working on a project that has over 1100 shots. My client up versioned the cut. I Re-applied my grades using Colortrace in Manual mode. Actually worked pretty well. Once I was done I realized I ha
Re: ColorTrace question
by Joseph Owens 3 weeks ago
I might have been tempted to re-import the new version timeline into the original Resolve project (you can have more than one timeline in a project) and all this ColorTrace stuff would probably have g
scaled legal video
by Ben Edwards 4 weeks ago
Hi, I have been trying to work out how to deliver broadcast safe video, I found the below in the manual but cant find the 'drop' down on the deliver page. Where exactly is it Ben "Output Data Level Se
Re: scaled legal video
by Joseph Owens 4 weeks ago
Thanks for that, so basically you are saying there is no simple way to get resolve to output broadcast safe video. From my understanding Broadcast safe is where white levels are a max of 1000 (100%),
I/O card usage
by Matt Campbell 4 weeks ago
I'm looking into purchasing either a Thunderbolt or the PCIe I O but this question is really for any of the I O card devices. When we all talk about doing the conversion on output, I would assume most
Re: I/O card usage
by Joseph Owens 4 weeks ago
HDCP protection would it. Isn't that only for DVD players and those things Tape masters would appear to be evolving into being a kind of encryption protection, anyway, since fewer and fewer individual
Message to Apple
by Steve Connor 1 month ago
I know you're out there, tell us what's coming in the next release, you've done it before, you could do it again. Adobe have fumbled the ball at the 10 yard line (is that a correct US Football analogy
Re: Message to Apple
by Joseph Owens 4 weeks ago
probably also time fora few surprise urine samples. jPo "I always pass on free advice -- its never of any use to me" Oscar Wilde.
Autosave, now I have read the manual I am really confused
by Ben Edwards 4 weeks ago
OK, the my 'List Backups' is empty on Auto Save panel so I had a look at manual, now I am really confused;). What does this actually mean I am afraid my previous 15 years in IT (some of this spend wri
Re: Autosave, now I have read the manual I am really confused
by Joseph Owens 4 weeks ago
Perhaps the source of ambiguity for you is that Autosave is not active by default. You do have to turn it on, and the list of options govern its behaviour while it is operating. eg Save every... is th
I've never seen this error message . . . have you?
by Perry Trest 1 month ago
Ran into a never before seen issue while exporting 5K RED clips to ProRes 422 LT using Resolve 9.1.3lite.019. During export as one clip finishes processing and another begins, I get the following erro
Re: I've never seen this error message . . . have you?
by Joseph Owens 4 weeks ago
It may be an Apple quirk, since the 5K resolution setting may violate what Quicktime considers to be "optimized", similar to the kvetching that FCP often does when you import ProRes files. FCP7 may be
Recording from SRW-5800 to DVD..??
by Ray Brown 1 month ago
We have both; and SRW-5800 and an SRW-5500. At present our workflow is to patch the 5800 to the 5500 and from there into the DVD player to record a clean copy before sending the tape out to the broadc
Re: Recording from SRW-5800 to DVD..??
by Joseph Owens 1 month ago
Ray Brown "no way to record directly into the DVD deck straight from the 5800 without the addition of the SD conversion card ($15,000 or so). " You can buy a lot of other things for $15K. Teranex, fo
projector wont deinterlace
by Stu Gilbert 1 month ago
shot at 24p, edited in a 29.97 sequence, lower frame first. exported w compressor, prores 422. rented an optima th1020 projector for the screening (on monday). going through my laptop, dv to vga to pr
Re: projector wont deinterlace
by Joseph Owens 1 month ago
Simon Modery "Because if the lines really go vertical it can't be a de-interlacing issue (field lines are always horizontal)." That's what is really fishy with this story. Those vertical lines really
Can't relink to Color media after moving FCP source files
by Roli Rivelino 1 month ago
I'm now on Color 1.5 and FCP7 My workflow thus far - Obtain client drive with media and start an FCP project from project file and reconnect to media on client drive 2. Prepare timeline and export to
Re: Can't relink to Color media after moving FCP source files
by Joseph Owens 1 month ago
Roli Rivelino "6. Open Color and attempt to relink, manage to relink grade information but media still needs relinking." This part I don't get... but anyway... Create a new XML export with the relink
Simple timeline navigation
by Yoram Tal 1 month ago
This might be something simple I have been missing... Is there a simple "go to in timeline" command Somewhere I can type a timecode number and it will take me to that point in the timeline Thanks. Tal
Re: Simple timeline navigation
by Joseph Owens 1 month ago
If you have the DaVinci panels... but otherwise no. jPo "I always pass on free advice -- its never of any use to me" Oscar Wilde.
Color Space Question
by Hoku Uchiyama 1 month ago
Hello, I'm working on project that involves using media from a lot of different sources (ripped DVDs, web downlaods, etc...). It's for a museum exhibit. The sequence I'm working with is Apple ProRes 4
Re: Color Space Question
by Joseph Owens 1 month ago
Hoku Uchiyama "can you explain how I'd check the gamma settings" For graphics, right click on the clip and check the "Item Properties"... "Format"... "Gamma Level". ProRes doesn't have this option, b
Will dual video cards inside a Mac Pro increase render speed in Final Cut Pro 7?
by Tony Velez 1 month ago
Hi. Have a Mac Pro Mid 2010 Model with an ATI Radeon HD 5770 1024 MB video card and dual monitors. Would adding a second ATI Radeon HD 5770 1024 MB video card to the empty video card slot in the Mac P
Re: Will dual video cards inside a Mac Pro increase render speed in Final Cut Pro 7?
by Joseph Owens 1 month ago
Tony Velez "Would adding a second ATI Radeon HD 5770 1024 MB video card to the empty video card slot in the Mac Pro tower help increase the render speed in final cut pro 7 " Shane is as usual correct
+1
Removing Dead Pixels
by Ben Edwards 2 months ago
Hi, thanks for everybody's help so far. One on the cameras the footage was shot on has dead pixels (which show up as white spots). Its a dance pice in a theatre so the background it black. Was wonderi
Re: Removing Dead Pixels
by Joseph Owens 2 months ago
Ben Edwards "Was wondering if it was possible to set a qualifier on white pixels so I can turn them down." Stuck pixels don't move around (but moving objects in the picture content obviously complica
Pre-read closed caption with SRW 5500
by Ronen Pestes 2 months ago
Is there a way in the SRW to preserve a closed caption track and just do a video fix or the opposite (preserve video track and insert new closed caption) I believe that can be done with the pre-read,
Re: Pre-read closed caption with SRW 5500
by Joseph Owens 2 months ago
Its part of the video stream in the VANC I'd pull a clone and try it. jPo "I always pass on free advice -- its never of any use to me" Oscar Wilde.
Exporting XML for FCP 7
by Ben Edwards 2 months ago
Hi, the Resolve 9 manual says: To export an EDL: 1. Open the Conform page and select the timeline you want to export an EDL from in the Timelines list. 2. If you want to export a track other than Vide
Re: Exporting XML for FCP 7
by Joseph Owens 2 months ago
Ben Edwards "So I did this and tried to import into FCP 7 and got message 'please choose a translation document'. Googled but no luck. I tried both the 1.0 and 1.2 fcpxml options." Could you clarify
NAB and PCI
by Jordan Mena 2 months ago
Anyone know if there has been a change in configuring a PCI expansion chassy to work with Graphics GPU. I know this is a major reason people have been hoping for a new Mac Pro. If they solve this prob
Re: NAB and PCI
by Juan Salvo 2 months ago
It isn't sufficient. Stick a gpu in a 4x slot and see how well it works in resolve. Hint: not well at all. Colorist Online Editor Post Super VFX Artist BD Author http: JuanSalvo.com
+2
Joseph Owens liked this 2 months ago
Apple Color Playback Keeps Jumping
by sean auchombit 2 months ago
Ive sent my footage from final cut pro to apple color, but when playing back the footage in colour, it keeps jumping, a typen of flickering happens, why is that i need to get this sorted please. thank
Re: Apple Color Playback Keeps Jumping
by Joseph Owens 2 months ago
First item: "flickering" is a searchable topic on this discussion heading, and I think a fairly recent thread exists. As I recall it had something to do with the codec, and that would be a good thing
how to determine bit depth of DPX files
by Nick Meyers 3 months ago
hello, all. i am going to be providing DPX files for a grade, and need a little guidance. most of the process seems easy enough, here's what i think i need to do: Re-link my ProResLT timeline to the P
Re: how to determine bit depth of DPX files
by Joseph Owens 2 months ago
walter biscardi "And, apparently, Online Editing now too! Gonna be a fun week in Vegas! :)" An amusing "leak", like setting up a fire hose in the town square... Yes, a lot of stuff coming down the pi
LUT, ICC Profiles and Apple Color
by Emiliano Rodriguez 3 months ago
Hi everyone, I will be doing the color grading for a low budget documentary. Unfortunately, I dont have a profesional broadcast monitor, so I am trying to find a good solution for external monitoring.
Re: LUT, ICC Profiles and Apple Color
by Joseph Owens 2 months ago
A consumer LED LCD display will be somewhat preferable to a computer graphics display, simply because the former will at least lean further toward a SMPTE Rec709 rendition than the DELL. The problem w
Article: Tips for Attending NAB 2013 From A Convention Veteran
by walter biscardi 3 months ago
NAB Expo Tips for Attending NAB 2013 From A Convention Veteran Walter Biscardi tells us, "Once again, springtime is upon us, so of course, it's time for the annual National Association of Broadc
Re: Article: Tips for Attending NAB 2013 From A Convention Veteran
by Joseph Owens 3 months ago
Also worth looking for is a relatively recent "Newbies" guide to attending the NAB convention, but I can't find a URL for it to post here... quite entertaining, if a bit giddy, but that's part of the
Gesture control in FCPX
by Steve Connor 3 months ago
http: www.arcticwhiteness.com thetouch I like the idea of using this with a trackpad Steve Connor There's nothing we can't argue about on the FCPX COW Forum
Re: Gesture control in FCPX
by Michael Gissing 3 months ago
With a trackball you can feel them without looking. Same with the dials that adjust black, white & gamma etc. They stick up unlike a virtualised iPad display of the same. As Joseph says, you need to b
+1
Joseph Owens liked this 3 months ago
Article: VFX Crossroads: Causes & Effects Of An Industry Crisis
by Debra Kaufman 3 months ago
Film History & Appreciation VFX Crossroads: Causes & Effects Of An Industry Crisis The VFX industry is in a crisis. As Life of Pi won the Oscar for Best Visual Effects, the venerable facility tha
+1
Ryan Simonar liked this 3 months ago
Re: VFX Crossroads: Causes & Effects Of An Industry Crisis
by Joseph Owens 3 months ago
"In more recent years, democratized (i.e., commoditized, cheaper) technology, outsourcing and subsidies have hastened the process." Thank you. I would also argue that the word "democratized" has been
SRW 5500 menu settings
by Jay Hunt 8 months ago
Hello, I'm trying to set up my SRW 5500 to record closed captions onto an SR tape from Final Cut 7 w a 708 file provided by my captions company. What are the exact menu settings in the maintenance men
Re: SRW 5500 menu settings
by Joseph Owens 3 months ago
Shouldn't be required. SR is like a separate machine to HDCam settings... jPo "I always pass on free advice -- its never of any use to me" Oscar Wilde.
Anyone seen the Trailer for Iron Sky?
by Scott Sheriff 1 year ago
Anyone seen this yet Scott Sheriff Director http: www.sstdigitalmedia.com "If you think it's expensive to hire a professional to do the job, wait until you hire an amateur." ---Red Adair Where were yo
Re: Anyone seen the Trailer for Iron Sky?
by Joseph Owens 3 months ago
happened to catch this mess over the weekend by accident on Movie Central, and laughed and laughed. Running the Death Star with an iPad, the trembling Hitler rant meme, and on and on... made so much m
2013 Oscar Picks
by Scott Roberts 4 months ago
Well, we are less than a week away from hearing Seth MacFarlane sing a bunch of comedy songs on a stage, and I thought I'd put down my Oscar picks in our forum so that I have proof when I'm inevitably
Re: 2013 Oscar Picks
by Joseph Owens 4 months ago
Tim Wilson "Speaking of which, while most of the facts behind Argo were declassified in 1997, the first real retelling of the story was in Wired in 2007: highly, highly recommended. You've probably h
Blog: Once
by Tim Wilson 5 years ago
The move "Once" was one of my favorites from 2007, and against all odds, a song from this lo-budget indie WON the best song award. It led to the most magical moment I've seen in over 35
Re: Once
by Joseph Owens 4 months ago
Wish I shared the enthusiasm The *movie* was "meh". The Broadway presentation is good, something my daughter the Tisch BFA student found really resonant. I confess I haven't seen the live stage versio
Article: Confessions of an NAB Virgin
by Kylee Wall 1 year ago
Apple FCPX or Not: The Debate Confessions of an NAB Virgin This is no ordinary NAB recap. This isn't a collection of thoughts about products and software. This is the confession of a small-town starr
Re: Confessions of an NAB Virgin
by Joseph Owens 4 months ago
"I find that I am wearing approximately 70% too many clothes in comparison with the rest of the women at the party. Somehow, I don't think they are in post production." LOLZ.... but oh... they are. Bu
Need Assistance Laying Off to DigiBeta with black movie using Final Cut Pro (FCP)
by Ben Parnassi 5 months ago
Need Help Laying Off to DigiBeta with black movie using Final Cut Pro (FCP) I have everything I need to make this happen but the captions are not showing up on the monitor. Please help me ASAP. Thanks
Re: Need Assistance Laying Off to DigiBeta with black movie using Final Cut Pro (FCP)
by Joseph Owens 4 months ago
Ben Parnassi "but the captions are not showing up on the monitor." Which monitor Seems like last replier assumed you wanted to see Captions in the Canvas view, which is not a function of FCP. If you
Final Cut Pro "Hardware does not support Closed Caption"
by Joseph Owens 4 months ago
First of all, this error message seems to come up more often with the Blackmagic Decklink Extreme3D, which of course definitely does support 708Caption input and output. Basic brute force workaround i
Re: Final Cut Pro "Hardware does not support Closed Caption"
by giovanni galvez 2 months ago
Yes I have seen this a few times. Easy setup usually does the trick. No need to reboot. Do Easy setup and refresh hardware. Done.


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