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|  | Blog: NAB 2013 Wrap-Upby walter biscardi 1 month ago Flamingos at the Flamingo of course.... Well another year has come and gone at the National Association of Broadcasters and here's some of the things I saw this year. Wasn't able to get around as muc | Re: NAB 2013 Wrap-Up
by Jon Merrifield 1 month ago
Couldn't attend due to work load. Thank so much for your prompt insightfulness Walter. Writing on planes is over-rated and I appreciate your efforts greatly. Your wrap up report is head and shoulders
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|  | Offsetting Corner pins in the trackerby Sam Hamann 8 years agoHello, I am using the Tracker in AE Pro and the corner points of the original footage are not in the actual corners of the area I need to replace. I see how you can alter the anchor point of the track | |
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|  | After Effects CS6 Keylight Mask issuesby Fred Raimondi 10 months agoI've noticed a bug (at least I think it's a bug) when you use Keylight 1.2v14 and an animated mask. Basically what I was doing was taking a blue screen element and getting rid of all the extra garbage | |
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|  | Article: High Frame Rate Cinemaby Debra Kaufman 9 months ago Cinematography High Frame Rate Cinema All eyes are on High Frame Rate cinema, the latest technology shift touted by such heavyweight filmmakers as Peter Jackson and Jim Cameron. But how many frames p+3 | Re: High Frame Rate Cinema
by Jon Merrifield 9 months ago
The majority of projects I have worked on over the years have included higher frame rates. It's called over-cranking. Just saying..., doesn't it depend on the scene and the playback of that scene and
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| | Scripting Questionby Jon Merrifield 9 months agoBefore I dig in further and expand my javascript and scripting skills in AE, I have a question related to one thing I would like to try and achieve. My question is "yes" or "no" and requires nothing f | Re: Scripting Question
by Jon Merrifield 9 months ago
Thanks so much for your time. I learned something and got more than I asked for. My hat, (and my hair).. are off. cheers Jon Merrifield VFX Artist Supervisor PELi Studios, Austin TX
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|  | Composition from Moving Shape?by Sam Pipes 1 year agoThis seems like it must be possible, but maybe I'm thinking about it the wrong way, or I don't know what to call what I'm trying to do. I have a large PNG sequence that features a small character runn | |
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| | Premiere Pro CS5.5 quitting unexpectedlyby Mike Gerard 1 year agoCould anyone provide a simple answer I have recently bought CS5.5 (updated to 5.5.2) and running on new iMac (Lion). I am a fledgling semi-professional and previously used CS4. Very happy with CS5.5 e | |
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|  | Exporting clips from a sequenceby Mike Hennelly 1 year agoHi, Here is the issue. I have a 2 hour video broken up into 99 segments in order to make clips for an index. I have a marker at the beginning of each clip identifying the number it is. The problem is | Re: Exporting clips from a sequence
by Jon Merrifield 1 year ago
Have you tried nesting your sequence into new sequences that are timed for your specific outputs ie: Seq10 (or whatever) (your master sequence nest is your source) is timed to start and end where you
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| | Shape Flip Transitionby Stephen Nahroniak 1 year agoWhat is the most basic and easiest way to make a shape transition in and out with a flip like seen in this video http: vimeo.com 29085830 I really appreciate the help. Thanks! | Re: Shape Flip Transition
by Jon Merrifield 1 year ago
I would suggest making your logo a 3D object and then rotating the Y axis. You can also get interesting results by offsetting the anchor point and playing with scale in addition. Jon Merrifield VFX Ar
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| | Service: Peli Studioby Jon Merrifield 2 years agoAustin Texas, United States Post Production VFX Peli Studio Digital Compositing Visual Effects Rotoscoping PELi is a talent driven company. We embrace current techno | |
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| | Tangent CP200?by Jon Merrifield 2 years agoWill Color Finess (latest version, CS5 on a mac) support the Tangent Devices CP200 Thank you | Re: Tangent CP200?
by Bob Currier 2 years ago
No, the only Tangent panel we support at the moment is the Wave. Which of the CP200 panels are you interested in using I know, all of them, but opinions on priority are helpful. Bob CurrierSynthetic A
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| | Smoke & Kona LHi vs. 3by Jon Merrifield 3 years agoIs this possible I read some posts from January 2010 discussing this very matter but there was no conclusion. I have a system with a Kona LHi and Break Out Box. I only need monitoring at this time. No | |
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|  | After Effects & FCP Integrationby Ariel Brener 4 years agoHey guise, I'm starting a new big project that will envolve a lot of effects and working with animators etc. The look of it will some how be like the movie: "What the bleep do we know" any how it will | Re: After Effects & FCP Integration
by Jon Merrifield 4 years ago
Ariel, I use AE and FCP every day. I find the best thing to do is organize your work flow with folders to hold your elements your moving back and forth.. I also make sure my projects all have the same
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