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Joe Bender

Member Since:
January 3rd 2009
16 Posts
Export/convert HD ProRes 422 to MKV
by Joe Bender 2 years ago
Hi All, Strange situation here: I need to output a feature film from FCP (ProRes 422 1080p23.98) to a h.264 720p .mkv file. The most widely used tool I've found for converting to mkv is HandBrake, but
Re: Export/convert HD ProRes 422 to MKV
by Joe Bender 2 years ago
Ok, that makes sense, I'll give it a try. Many thanks! Joe
Prep mix for broadcast?
by Joe Bender 3 years ago
Hi All, I'm in a tricky situation and could really use some help on this. My documentary Capital recently got picked up by a distributor, who needed a new cut of the film. My collaborator and I made a
Re: Prep mix for broadcast?
by Joe Bender 3 years ago
This is all great advice - I will try both the compressor technique and timing the volume for quiet scenes and see which sounds best. Many, many thanks to all of you for responding and for such detail
canon xh-a1s capturing to FCP...
by Jon Haas 3 years ago
So I'm currently in the process of filming a documentary in Africa and I'm using a canon xh-a1s camera and I plan to edit here with Final Cut Pro 5.1. I've had numerous years of experience editing at
Re: canon xh-a1s capturing to FCP...
by Joe Bender 3 years ago
Hi Jon, The native format of the XH-A1 is HDV, so you can either capture straight into HDV or capture and transcode to a higher quality format like ProRes 422 HQ. The advantage of that is that the res
properly deinterlace 1080i60
by Joe Bender 3 years ago
Hi all, I am working on a film shot in HDV 1080p24 on my canon XH-A1, captured in HDV (in FCP) and edited in ProRes 422 HQ. I've just received some additional footage that I want to incorporate, shot
Re: properly deinterlace 1080i60
by Joe Bender 3 years ago
My apologies, I see that this topic has been well covered in the FCP forum. I'll try out some of those solutions before I start tearing my hair out again...
Splitting huge FCP project doesn't reduce size
by Joe Bender 4 years ago
Hi there, I have a feature doc project that I've been working on for about 14 months, and the FCP project has gotten out of control - over 250MB. It just started crashing really frequently, so I final
Re: Splitting huge FCP project doesn't reduce size
by Joe Bender 4 years ago
Thanks everybody for your responses. The project is about 100 hours of HDV footage, edited in ProRes 422 HQ, with some additional footage and audio material and way too many sequences. I'm trying to a
final cut pro and livefont for subtitles
by roberto pierson 4 years ago
hi everybody, im edeting a documentary and adding subtitles; my quesstion is; is livefont a better way to go than to use the fcp text thanks rob
Re: final cut pro and livefont for subtitles
by Joe Bender 4 years ago
@Andreas Apologies for the multiple post, I redownloaded TEP and think I figured out the workflow, but I can't test it because TEP won't let me export as an XML file. Is this a limitation of the non-r
Automate foreign title input
by Jackie Brown 4 years ago
I have a large number of foreign language titles to put on a long video. I have these titles in a text file, also their English counterparts in a text file with time codes. Is there any way to automat
Re: Automate foreign title input
by Joe Bender 4 years ago
@Jackie I have a video for which I've manually made subs with a text generator in FCP, but need to change the format of all the titles. I know that in principle I should be able to export the timeline
Printing 24f HDV from XH-A1 to tape in 60i
by Joe Bender 4 years ago
Hi All, I have a documentary that I shot in HDV 24f on a Canon XH-A1, captured and edited in HDV 1080p24 (Final Cut Pro 6.0.5). Now I want to print it to tape to project from a deck that only plays HD
Re: Printing 24f HDV from XH-A1 to tape in 60i
by Joe Bender 4 years ago
It captured perfectly from the camera, preserving the timecode correctly (as far as I can tell), and the format information in FCP says the footage is 1080p24 HDV, 23.98fps. I'll keep that in mind for


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