| | | | Member Since: December 4th 2009 Location: Brisbane, Australia | | | | |
| | | | |  | VU duration limitation?by Clinton Vadnais 3 months agoI searched around a bit but ended up having to resort to posting a direct question. The Core Melt VU plug is pretty cool. I have some great ideas for using it. Recently I realized there seems to be a | Re: VU duration limitation?
by Iain Anderson 1 month ago
In the top left and right corners of the Viewer (even in FCP 6) there are timecode fields. The one in the top left is the Duration field, and that's the one you should change.
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| | | |  | Updated Chroma Keyerby Dave Gage 4 months agoI haven't had too much time to play with it, but the first thing I noticed from some green screens tests a few days ago was that if you already have the "Keyer" on an older project, you do need to del | | | | |
| | | |  | Lock & Load for tilt?by Dan Weissman 4 months agoHi, Can Lock & Load smooth out a tilt which has a little hiccup midway through thanks, - Dan | Re: Lock & Load for tilt?
by Iain Anderson 4 months ago
Yes. You'll want to keyframe the overall strength up over the part that needs stabilised, then down again afterwards. Take a look at this tutorial from around 2:00. http: library.creativecow.net artic
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| | | |  | Colour correcting flesh tones quicklyby Wayne Garton 10 months agoHere's what I used to do in version 7. Send video out via firewire to an external TV monitor via an old SD camera (using the camera as a convertor of firewire to analogue) In FCP, 1 Crop the face show | Re: Colour correcting flesh tones quickly
by Iain Anderson 10 months ago
In the keyboard customisation window, you can assign a key to a command to copy the colour correction from one clip back, two clips back, or three clips back. Could be handy to avoid copy pasting. I h
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| | | |  | Effects and the Modern Ageby Ethan Young 10 months agoLet's say I import long interview for a documentary. FCPX wants me to use the new keywords system in the Event Viewer to go through and break this clip down into folders for each topic the interview c | Re: Effects and the Modern Age
by Iain Anderson 10 months ago
One well hidden related feature is FCP 7's old feature to copy a color correction to the next clip or the clip after that is present in FCP X. They are hidden in the custom keyboard editor, with no sh
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| | | |  | How best to use old media in FCPXby Craig Alan 11 months agoOkay we know that FCPX will not open FCP 1-7 projects. So what is the best way to open media from these projects in FCP X FCP 7 will export the time line as a QT file. Would opening this in FCP X at l | Re: How best to use old media in FCPX
by Iain Anderson 10 months ago
One positive thing: freshly ingested DV tapes recognize and display the time and date they were shot, not just ingested. Fantastic to see my ancient tapes ripping in with dates from 1999.
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| | | | | Tutorial: CoreMelt Easy Slick FXby Iain Anderson 1 year ago CoreMelt Plug-ins CoreMelt Easy Slick FX Iain Anderson shows some tricks to add easy slick fx to an edit. Learn how you can use free effects to enhance your video -- first in a way that helps inject | | | | |
| | | |  | Having Fits with Lock 'N Loadby Chris Babbitt 2 years agoI have been using Lock 'N Load for a few weeks now, and I'm experiencing a lot of random buggy behavior. I'm working in FCP and editing in an XDCAM-EX 720p timeline. After applying the Lock 'N Load fi | Re: Having Fits with Lock 'N Load
by Iain Anderson 2 years ago
I think in this case that strategy is counter-productive, and is causing or at least contributing to the problem. Rendering to ProRes is only useful if you need to output to ProRes at the end of the p
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| | | | | Tutorial: CoreMelt Luminousby Iain Anderson 2 years ago CoreMelt Plug-ins CoreMelt Luminous Apple certified Trainer, Iain Anderson, shows us how to get the best looking glows and blurs around using CoreMelt's Luminous plugin pack. With new controls to hel | | | | |
| | | | | Tutorial: CoreMelt Lock & Load X Proby Iain Anderson 2 years ago CoreMelt Plug-ins CoreMelt Lock & Load X Pro Iain Anderson takes us through some of the new features found in the latest version of Lock & Load X, CoreMelt's video stabilisation and rolling shutter r+1 | | | | |
| | | | | Tutorial: CoreMelt VideoWallby Iain Anderson 2 years ago CoreMelt Plug-ins CoreMelt VideoWall Iain Anderson demonstrates a wide range of video wall effects inside Final Cut Pro, including transitions, three dimensional stylised effects and slideshow transi | | | | |
| | | | | Tutorial: CoreMelt Video Stabilizationby Iain Anderson 2 years ago CoreMelt Plug-ins CoreMelt Video Stabilization Got shaky footage In this video tutorial certified Apple FCP trainer, Iain Anderson explains the concepts of video stabilization, and how to smooth move | re: real time play
by Iain Anderson 2 years ago
You should be able to preview and play the effect (using Unlimited RT) without rendering. Depending on the speed of your computer and resolution of your video, you may get less than perfect performanc
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| | | | | Tutorial: CoreMelt Synced Video Montageby Iain Anderson 2 years ago CoreMelt Plug-ins CoreMelt Synced Video Montage Got footage from a multi camera shoot of an event or band recording and need some treatment ideas Iain Anderson shows how to take footage from a multi- | | | | |
| | | |  | Article: HDSLRs for Video: Beyond the Hypeby Marco Solorio 2 years ago DSLR Video HDSLRs for Video: Beyond the Hype There has been an amazing amount of chatter around the HD video capabilities of recent still cameras - if they can still be called that! Rather than play +1 | Re: Soft images
by Iain Anderson 2 years ago
Well, the majority of the shots were taken with sharpening off or low. I can't promise the train shots are perfectly in focus, but the other shots were on a tripod with autofocus set before each movie
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