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| | | |  | Article: Premiere Pro CS 6.0: First Impressionsby David Lawrence 1 week ago Adobe Premiere Pro Premiere Pro CS 6.0: First Impressions As a long-time Final Cut Pro user, David Lawrence has been looking for a new NLE, since FCPX isn't an option for his editing style and needs.+5  | Re: @David Cherniack by David Cherniack 1 week ago Stephen, sorry if I gave the wrong impression. The default transitions which you can set to any video and audio native transition, have keyboard shortcuts. I believe those shortcuts are assignable. Da
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| | | |  | PP CS6 test driveby Morten Ranmar 1 week agoGot my Premiere Pro upgrade today, and playing around with it on newest top level MBP feels just as smooth as FinalCutProX. Managed to make it crash - just by slip'n'sliding media on the timeline, but | Re: PP CS6 test drive by David Cherniack 1 week ago Morten Ranmar " I do miss the simplicity of secondary color grading with masks in FCPX" You can do secondary grading with the 3-way in Premiere. That and the masks effect are CUDA (and I believe Open
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| | | |  | dialnorm, how do i set it in prem pro?by tyler smith 5 months agoI have a project going to tv broadcast (music video) and the requirement is for the dialnorm to be at -24dBFS...how do i set it Can i just roughly set it to where it looks like it's averaging that lev | | | | |
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| | | |  | Is Oliver Peters wrong?by Herb Sevush 7 months agoIN the "FCPX or NOT " thread, immediately below, Mark Dobson wrote this in his positive review of FCPX: I think that for many this software will never cut the mustard. Oliver Peters has really nailed  | Re: Is Oliver Peters wrong? by Jeremy Garchow 7 months ago Herb Sevush "Your point being what, that blackmagic's drivers are at fault Don't know what your getting at." Not at all, but they way that they had to interface with the current application might hav
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| | | |  | Colorista 2 install in PPro CS5.5by Shane Ross 11 months agoI ran the installer for Colorista 2, and chose the CS 5.5 option, and it doesn't show up in Premiere Pro, only After Effects. Does this not work with Premiere Pro Do I need to send to AE to grade, the | | | | |
| | | |  | Lag Moving Clips on Timeline in Premiereby Chris Holland 10 months agoHI, I am running Premiere CS5 on a MAC with an ATi Radeon 5770 HD 1GB graphics card and a KonaLhi card and am having an issue I have never seen before using this setup. Basically whenever i try to dra | | | | |
| | | |  | No closed caps in DSR-500 SDI outby David Cherniack 11 months agoI'm outputing to a DVW-500 with closed captions in the SDI stream. If I then playback from the 500 and record on a DSR-1500 there are no closed captions on the 1500 record. Menu item 703 on the 500 is | | | | |
| | | |  | FCP to Premiere 5.5 transition via Matroxby James Mulryan 11 months agoDo you think the Matrox drivers will work better with Premiere 5.5 than with FCP 7 Anyone seeing issues with the Matrox update James Mulryan Sunset Park Media, LLC Santa Monica, CA info@jamesmulryan.c | | | | |
| | | |  | Blog: Adobe gets it and Adobe wants you.by Gary Bettan 11 months agoAdobe gets it and Adobe wants you. Adobe Goes Pro When Adobe Premiere Pro CS 5 was launched more than two years ago, the message was clear that Adobe was taking Premiere Pro into the professional mark | | | | |
| | | |  | FS Convergent design nanoFlashby David Cherniack 1 year agoFYI this item http: forums.creativecow.net readpost 38 868945 is now listed on eBay at: http: cgi.ebay.com ws eBayISAPI.dll ViewItem&item=280677513351 David AllinOneFilms.com | | | | |
| | | |  | FS MXO2 mini with Max & express cardby David Cherniack 1 year agoThis unit was used on a shoot for monitoring and creating H264 files with the high speed max technology. It is in like new condition and works with PCs or Macs with Expresscard. Or buy from Matrox a P | | | | |
| | | |  | Serious Magicby Danny Hays 2 years agoIf any of you all fromthe old S.M. company see this, there's a real need for a Great keyer like Ultra out here. Alot of money could be made if a new plugin using the vector key technology and Ultras f | Re: Serious Magic by David Cherniack 2 years ago Check out this video and note the keying filter. http: tv.adobe.com watch davtechtable sneak-peek-at-the-new-adobe-mercury-playback-engine-technology David AllinOneFilms.com
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| | | |  | Audio in HD-SDI stream of EX-1?by David Cherniack 4 years agoHas anyone ever confirmed this I did a search and only found 'it kinda looks like it' Enquiring minds want to know.David AllinOneFilms.com | Re: Audio in HD-SDI stream of EX-1? by Noah Kadner 4 years ago I suspect a nice breakout box would do the trick. NoahMy FCP Blog. Unlock the secrets of the DVX100, HVX200 and Apple Color and Win a Free Letus Extreme. Now featuring the Sony EX1 Guidebook and Sound
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| | | |  | Claudio Miranda tests Red vs F23by Barend Onneweer 4 years agohttp: www.claudiomiranda.com redvsf23 redvsf23.html Apparently Claudio tested a 'generation 1' version of the Red camera that was also not properly collimated. Red has already announced some major cha | Re: Claudio Miranda tests Red vs F23 by David Cherniack 4 years ago Why was this page pulled I read it and his comments seemed fair and qualified when necessary. I'm guessing he was getting slagged by Red-necks. If so what a shame. But people make totems out of the st
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| | | |  | No Underlining of Text? Why?by David Cherniack 5 years agoCan someone who is close to Adobe explain what their thinking was on this (one has to assume they were thinking SOMETING, even if it was in the loony way that some design decisions are made over there | Re: No Underlining of Text? Why? by David Cherniack 5 years ago What's your feeling about the headings in an informal two column table - on screen of course. I did try the options you suggest, but in the end I felt that underling the headings worked best. Call me
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| | | |  | Sony Z1 sound issue? Low level spikes.by David Cherniack 5 years agoWhile mixing material shot with the Z1 we noticed a very low level medium-high pitched sound. Checking the material's spectograph it was possible to see a lot of narrow spikes starting at 1504 Hz and | | | | |
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