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Chris Kenny

Member Since:
December 15th 2010
902 Posts
100 posts500 posts
Location:
Brooklyn, NY, USA
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Thoughts from an Apple Fanboi
by John Davidson 2 weeks ago
There are so many competing philosophies going on regarding the cloud issue popping up. As a relative early adopter of FCPX, Apple fanboi, etc., maybe some of you will consider these thoughts interest
+2
Jeremy Garchow liked this 2 weeks ago
Re: Thoughts from an Apple Fanboi
by Chris Kenny 2 weeks ago
Cameron Clendaniel "For an incredibly expansive suite of software that has a great track record, for people that are presumably making a living off of it I don't understand the angst over $50 month."
+2
Creative Cloud - Some Peace of Mind Offered...
by Tim Vaughan 2 weeks ago
As many of you have seen, I've railed against the "cloud" as being the only option. I'm not against it as a whole, mind you, but am concerned with it as the only option. Great points have been argued,
+3
Shawn Miller liked this 2 weeks ago
Re: Creative Cloud - Some Peace of Mind Offered...
by Chris Kenny 2 weeks ago
Tim Vaughan "There is talk, though I've not confirmed or have positive proof, that in the future there will be various levels tiers offered rather than access to all the programs. I do hope this to b
+1
Apple hardware Q4 and 2014
by Oliver Peters 4 weeks ago
http: www.businessinsider.com apple-says-it-has-no-new-products-coming-until-the-fall-2013-4 Sounds like no new Mac Pro this year. Wonder if they are waiting for 20Gb s Tbolt in 2014 from Intel - Oliv
Re: Apple hardware Q4 and 2014
by Chris Kenny 4 weeks ago
Greg Andonian "If you ask me, everyone who thinks Apple is waiting on some sort of new technology before they upgrade the Mac Pro is only kidding themselves. 20 Gigabit Thunderbolt sounds amazing, bu
+1
will never use any other editing software other than what Adobe provides - even if they hate it
by Richard Cardonna 4 weeks ago
So says Bob Zelin and other very interestingstuff: Please read his full article. http: magazine.creativecow.net article nab-2013-bob-zelin-the-evolution-revolution Adobe Anywhere was the most importan
Re: will never use any other editing software other than what Adobe provides - even if they hate it
by Chris Kenny 4 weeks ago
Richard Cardonna "Anyone that can afford it will buy Adobe Anywhere, and anyone that has Adobe Anywhere will never use any other editing software other than what Adobe provides - even if they hate it
Why we will be choosing PremierePro over FCPX
by Morten Ranmar 1 month ago
Let me start by saying that this has nothing to do with the changes Apple have made to Final Cut. I actually like the Magnetic Timeline, and simpleness of the program. But there are just too many miss
Re: Why we will be choosing PremierePro over FCPX
by Chris Kenny 1 month ago
David Mathis "There is also the fact that there was no big announcement of what Apple has planned for Final Cut Pro X down the road which leaves me to believe there will only be updates for the time
OT: Fox embraces the new century
by Greg Andonian 1 month ago
After realizing that the 20th century ended a long time ago, Fox has decided to re-name its studio and TV operations. :) ______________________________________________ "Up until here, we still have en
Re: OT: Fox embraces the new century
by Chris Kenny 1 month ago
Brent Cook "I wonder what they're going to do with the logo. I'm not sure changing the 0 to a 1 would look right. It would lose much of its epicness." They should just use this, from Futurama. -- Dig
+3
NLEs and NAB - Oliver Peters
by Craig Seeman 1 month ago
http: digitalfilms.wordpress.com 2013 04 13 nab-2013-distilled I very good observation on NLE at NAB. I do think there's more to say on this though: The trouble is Apple gets in its own way due to cor
Re: NLEs and NAB - Oliver Peters
by Chris Kenny 1 month ago
Oliver Peters "In Anywhere, that's where the Mercury Streaming Engine comes in. All compositing of multiple streams is done at the server. " Right, I get that this is how Adobe's model works. I'm jus
An Interesting observation
by craig slattery 1 month ago
This past week I have been inundated with calls from a number of directors that Ive worked with in the past, now working on other productions, asking technical questions about editing in FCPX. It appe
+1
Aindreas Gallagher liked this 1 month ago
Re: An Interesting observation
by Chris Kenny 1 month ago
Michael Gissing "As younger film makers who are tech savy become the norm and the price of edit software continues to come down, this use that you see with X may be no more than price and access rath
NAB and PCI
by Jordan Mena 1 month ago
Anyone know if there has been a change in configuring a PCI expansion chassy to work with Graphics GPU. I know this is a major reason people have been hoping for a new Mac Pro. If they solve this prob
Re: NAB and PCI
by Chris Kenny 1 month ago
Eric Hansen "an expansion chassis for GPUs over current Thunderbolt tech wouldn't work too well because Thunderbolt is a 4x PCIe connection. Each GPU is 16x. Even the PCIe expansion chassis's are a c
work natively at 2.40:1 at HD
by Jason Brown 2 months ago
We shot 5K at a 2.40:1 aperture. FCPX has a project for those dimensions (5120x2160) but I can't work downscaled in HD at clean pixel dimensions - 1920x810. I HAVE to put it into a letterboxed comp. A
Re: work natively at 2.40:1 at HD
by Chris Kenny 2 months ago
gary adcock "Most Video editing app's only natively support the SMPTE output specs and frame rasters." Arguably FCP should also add 2048x858 and 1998x1080, the DCI specifications for scope and 1.85,
27" iMac: Advice loading more ram & Thunderbolt question
by Ned Miller 2 months ago
I bought the new 27" iMac and took the advice I received from helpful posters on this forum and bought the least amount of memory from Apple and got the 32GB set from Crucial. Now it's time to put it
Re: 27" iMac: Advice loading more ram & Thunderbolt question
by Chris Kenny 2 months ago
Ned Miller "Next question: I've been editing onto the internal fusion drive but a very high end editor I know says it will be faster if I edit to an external Thunderbolt hard drive." A single drive e
10.0.8 Update is Out
by T. Payton 2 months ago
Check your App Store. Stick to the FCP X update code. Zip up your old 10.0.7 App and don't update mid project. Looks like mostly maintenance. Which frankly is a great thing. The flashing green render
Re: 10.0.8 Update is Out
by Chris Kenny 2 months ago
Nate Weaver "I have a gift certificate for anybody who can figure out a way to enable this for Sony S-Log2 footage." Someone really just needs to make a plug-in that allows arbitrary LUTs in common f
VFX shots. Grade before or after?
by MichaelMaier 2 months ago
I'm wondering what's the best procedure with VFX shots. If you should grade the plates and then send to VFX or grade after the VFX shots are finished I would think grading the finished VFX shot would
Re: VFX shots. Grade before or after?
by Chris Kenny 2 months ago
MichaelMaier "In that case, just send it back to the VFX guy to correct it :)" Sure, time and budget permitting. -- Digital Workflow Colorist, Nice Dissolve. You should follow me on Twitter here. Or
Do you conform inside Resolve?
by MichaelMaier 3 months ago
I was not sure if I should post this in the basics forum or here. Something tells me this is not really a basic question. Once you are done with your grade, what do you do You export the files out to
+1
Bradley Stuckel liked this 1 month ago
Re: Do you conform inside Resolve?
by Chris Kenny 2 months ago
MichaelMaier "From talking to several other people who also experience the same problem, it seems to be a Prores problem. On top of that, Prores on windows can have gamma shift problems etc. I think
Conforming Red for Resolve with Offline Effects
by Scott Smith 3 months ago
A project shot in Red, was off-lined in ProRes with composites and effects in FCP. Client wants a 2K output. What is the best way of handling a Red conform with effects that won't translate to Resolve
Re: Conforming Red for Resolve with Offline Effects
by Chris Kenny 3 months ago
Scott Smith "A project shot in Red, was off-lined in ProRes with composites and effects in FCP. Client wants a 2K output. What is the best way of handling a Red conform with effects that won't transl
Few newbie question..
by Frank Manno 3 months ago
Just a few newbie questions.. I'm playing a clip in my event library, getting ready to press I for IN, now if I scroll the event browser thumbnails up or down, playback stops. If I touch anything, pla
Re: Few newbie question..
by Chris Kenny 3 months ago
Frank Manno "Selecting a range on an event then getting back to the OUT point of that range later seems a bit clumsy to me. Either that or it's me who is clumsy.. :( " Mark Go To Range End, or shift-
Resolve 9.1- Missing Avid MXF Codecs in Deliver?
by John Burkhart 4 months ago
Hi Guys, We seem to have lost most of the Avid MXF codecs in "deliver" in 9.1. All the Avid codecs are 1:1 only, which takes up a hell of a lot of space. I'd like to use resolve to output proxies in d
Re: Resolve 9.1- Missing Avid MXF Codecs in Deliver?
by Chris Kenny 4 months ago
Andrew Stone "The lite version. 14 presets come up for DNxHD: 720p 8 bit to 1080p 444." Uninstalled, reinstalled, and now they show up. Weird. -- Digital Workflow Colorist, Nice Dissolve. You should
Update: Resolve on new 2012/13 iMacs
by Peter Chamberlain 4 months ago
Hello all, I'm pleased to report that we have tested the late 2012 21" and 27" iMac 13,2 systems and both are suitable for Resolve 9.0.4. The specific configs we tested are 21.3" iMac 13,2 with 3.1 GH
+1
Javier Martos Valladares liked this 4 months ago
Re: Update: Resolve on new 2012/13 iMacs
by Chris Kenny 4 months ago
I don't know. With the 3 nodes I get on my rMBP I wouldn't consider using the machine for client supervised sessions (though since we got an UltraStudio mini and some external storage fast enough to h
Blog: FCP X and it's launch: Blunder or Genius?
by Bret Williams 1 year ago
In light of all the NAB announcements regarding editing, I have to ask - "WHY is it going to take time for FCPX to mature " Apple is the biggest richest company in the world. I have to figure they've
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Sohrab Sandhu liked this 1 year ago
Re: Blog: FCP X and it's launch: Blunder or Genius?
by Chris Kenny 1 year ago
Franz Bieberkopf "I don't know - I see change happening from all levels all the time. I'm not sure it happens in one way, in one direction. The shift to digital in the 90s was certainly more top down
Blog: The realization sets in
by gary adcock 2 years ago
So, When I posted the first comments on FCPX 4 weeks ago, I thought I was going to be strung up and burned at the stake by some of the commentary. Now everyone seems resolute to the fact that FCPX is
Re: Blog: The realization sets in
by Chris Kenny 2 years ago
Michael Aranyshev " Chris Kenny "You may want to tag a clip before you necessarily determine what exactly frames you'll later use in the edit. " I told you. I actually watch the footage I edit." This
Blend Modes - Luma
by Patrice Freymond 2 years ago
Hi, just tried this: Three clips: 1) Shot of Guy 2) B&W transition 3) Shot of Boat If layered in this order in FCP 7, with travel luma composite mode applied to topmost clip, the Guy shows where the w
Re: Blend Modes - Luma
by Chris Kenny 2 years ago
Nick Toth "Background video on primary story line Fill video on a connected clip above the primary story line Key source on a connected clip above the fill video. This clips blend mode is set to 'ste
Effects and the Modern Age
by Ethan Young 2 years ago
Let's say I import long interview for a documentary. FCPX wants me to use the new keywords system in the Event Viewer to go through and break this clip down into folders for each topic the interview c
Re: Effects and the Modern Age
by Chris Kenny 2 years ago
Brendan Gibbons "Oh and while we are there, being able to reset individual parameters in the color board would make a huge difference. " You can reset an individual parameter by hitting the delete ke
+2
Layers and transitions
by Chip Whiting 2 years ago
So, today I had some time and thought I'll give FCPX a go. So my background needed to be white for this commercial, so I made one with the custom generator and put it in my storyline. Then I needed to
+1
Joshua David liked this 1 year ago
Re: Layers and transitions
by Chris Kenny 2 years ago
Tom Wolsky "No composite modes in secondary storylines. No transitions on connected clips. It's like each connected clip is entirely separate from the clip adjacent. Not very magnetic if you ask me."
What's the point of compound clips in events?
by Tapio Haaja 2 years ago
Hi, I'm scratching my head. I understand you can create compound clips for syncing audio to video in event library. But the thing that you can actually copy paste your whole projects to compound clips
Re: What's the point of compound clips in events?
by Chris Kenny 2 years ago
Tapio Haaja "I'm scratching my head. I understand you can create compound clips for syncing audio to video in event library. But the thing that you can actually copy paste your whole projects to comp
Copied sequence from 29.97 timebase to 23.98 sequence - FCP is cutting out some frames
by Elijah Lynn 2 years ago
I have 23.98 footage that was shot on an EX3 and was originally layed out and edited in a 29.97 sequence, so I made a new sequence and set the timebase to 23.98 and when I selected all and pasted into
Re: Copied sequence from 29.97 timebase to 23.98 sequence - FCP is cutting out some frames
by Chris Kenny 2 years ago
Shane Ross "Don't do it. If you are trying to convert your 23.98 sequence to a 29.97 sequence, you do that either by outputting via a capture card, or exporting a full res movie, and using COMPRESSOR
+2
Monitor upgrade situation
by Cade Muhlig 2 years ago
I have a old and dying 30" Apple cinema (getting some dark areas, but still usable) and a small 12" Sony broadcast monitor hooked up through a AJA Lhe I'm looking to upgrade. But I don't know which on
Re: Monitor upgrade situation
by Chris Kenny 2 years ago
Cade Muhlig "So is it possible that FCP X will change things regarding this subject I don't absolutely have to upgrade now, waiting an extra 2 months is not a big deal. Everyone is debating, but I ju
edit alexa prores4444 in fcp without destroying bit depth and color?
by Adam Berk 2 years ago
We are just getting starting on a multi facility vfx project and our first task to be completed is a vfx edit of the approved selects from the raw original camera footage. Files are prores4444 Log-C f
Re: edit alexa prores4444 in fcp without destroying bit depth and color?
by Chris Kenny 2 years ago
Adam Berk "It will be interesting to see if FCP X will fix any of these age old quality issues that have plagued FCP and quicktime since the beginning." Presumably, since it's based on neither. Apple
Article: FilmLight Baselight for FCP. It's a serious color tool.
by walter biscardi 2 years ago
NAB Expo FilmLight Baselight for FCP. It's a serious color tool. Thousands of members of Creative COW were at the 2011 NAB Show, and we are pleased to bring you some of their reports. In this entry,
Re: Blog: FilmLight Baselight for FCP. It's a serious color tool
by Chris Kenny 2 years ago
Was this demoed live Can anyone who saw it comment on performance Resolve is delivering real-time on current Mac Pros. If this can deliver real-time playback on the FCP timeline and supports affordabl


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