| | | | Member Since: December 30th 2009 | | | | |
Friends:  Alex Gerulaitis  Andrew Kimery  Andrew Richards  Bret Williams  Charlie Austin  Craig Seeman  David Lawrence  Franz Bieberkopf  Jeremy Garchow  John Buck  John Davidson  Oliver Peters  Tim Wilson  TImothy Auld  Walter Soyka | | | | |  | | | | | |
| | | | | | | | | |
| | | |  | Bold Statement Warning!by craig slattery 1 day agoIam cutting a 1 2hour doco for television. 12 day edit, 18 contributors, actuality, over 700 clips EVERYTHING shot 3 cameras, even the PTCs shot 3 cameras. C300, Canon 5D MKIII, DV25 (stylistic choice | Re: Bold Statement Warning!
by Chris Harlan 11 hours ago
Bill Davis "Those first six months were difficult here. So forgive me if I bask in a tiny bit of satisfaction knowing that what I argued from the beginning is being at least a little bit born out in
|
| | | | |
| | | |  | | | | | |
| | | |  | Is this what Avid used to be like?by Greg Andonian 5 days agoMy NLE experience doesn't go back far enough for any first-hand knowledge of it, but over the years I've read a lot of online horror stories about the greedy, arrogant behemoth that Avid used to be be+1  | Re: Is this what Avid used to be like?
by Lance Bachelder 2 days ago
Not to mention none of us (unless you're a beta tester) has really run the next version of Premiere - there's a good chance, from what I've seen, that's it's a great NLE and a bargain! Even though I d
+1 |
| | | | |
| | | | | The analogies.by Jeremy Garchow 3 days agoThere are more car analogies running around about the CC. We can't help ourselves. Franz must be pissed. :) Pissed, in the US, has different meanings than other places of the world; kind of like, fann+1  | Re: The analogies.
by Clint Wardlow 2 days ago
Hey since this is thread about analogies, thought I would come up with another. Since this a site aimed at video editors I think it is apropos to bring up a movie analogy (and also a history one as we
+2 |
| | | | |
| | | |  | | | | | |
| | | |  | | | | | |
| | | |  | | | | | |
| | | |  | Mix on Tracks 1&2, M & E on 3&4...by Zeb Chadfield 5 days agoOK so I have had a pretty good run with FCP X. I like it but I use all the NLE's around to stay on top of whats new and work out the best workflows for different jobs. I'm doing a bunch of internation | Re: Mix on Tracks 1&2, M & E on 3&4...
by Chris Harlan 4 days ago
These are some of the details that are still keeping me away from X. My deliverables generally have 8 channels so I definitely get where you are coming from. Your work-around sounds fine, though. Ther
+1 |
| | | | |
| | | | | Adobe Creative Cloud Terms of Useby David Lawrence 1 week agoLloyd Chambers is pro photographer, Mac developer, and expert in high-end Macintosh performance optimization. I've been reading his blog for years and have learned much from his online guides. I was c+3 | | | | |
| | | |  | Is AVID worth the swap?by Ben Taylor 4 weeks agoI have been editing on both Adobe Premiere Pro and Final Cut X for quite some time now. However, I am considering swapping from these programs to AVID. Are there any major differences between the prog | Re: Is AVID worth the swap?
by Chris Harlan 4 weeks ago
Ben Taylor "I have been editing on both Adobe Premiere Pro and Final Cut X for quite some time now. However, I am considering swapping from these programs to AVID. " Hey, Ben--out of curiosity, why a
|
| | | | |
| | | |  | | | | | |
| | | |  | Creative Cloudby Brian Cooney 4 weeks agoI own the physical software for CS6 and was wondering if the upgrade to CS7 is $299 or more might it be wise to just purchase the discounted creative cloud license for 29.99 mo yr. Are than any advant | Re: Creative Cloud
by Chris Harlan 4 weeks ago
Brian Cooney "So if I understand correctly there is no change in the way the licensing performs over the previous option of owning the software outright." Actually, the ability to install your member
+1 |
| | | | |
| | | |  | | | | | |
| | | | | Is Certification locked to classes?by Chris Harlan 1 month agoI'm getting mixed signals about certification, and I can't seem to get a reply from Avid. I've been told be a number of people that I can just take the certification test from a few without having to | Re: Is Certification locked to classes?
by Chris Harlan 1 month ago
David Powell " just took the test last saturday. You do not need to take a class. You do have to take the test from an authorized avid test center, and they will charge you around $150 to take the te
|
| | | | |
| | | |  | | | | | |
| | | |  | Media Composer 7 is coming soon...by Joel Ray 1 month agoI see in the Avid store on the Symphony upgrade site it says "Media Composer 7 is coming soon Get a complimentary Media Composer 7 upgrade with the Symphony option (once available) when you upgrade or+1 | Re: Media Composer 7 is coming soon...
by Chris Harlan 1 month ago
Michael Phillips "The tape-based Universal Mastering is the other major difference that is tied to Avid hardware (don't know why though from an I O perspective). I am writing up a workflow where you
|
| | | | |
| | | |  | | | | | |
| | | | | How to get a stuttering effectby David Powell 4 months agoI'd like to create an effect that looks like an unrendered shot, with an effect on it. Almost like a slo-mo but without actually extending the clip, just playing through it with dropped frames. | Re: How to get a stuttering effect
by Chris Harlan 4 months ago
When I create this kind of effect, I just chop out frames, add a frame or two off black, here and there, and resize and intermittent frame or two, sometimes add a little twist or tilt. It all depends
|
| | | | |
| | | | | Better to conform 60FPS to 24fps?by Kevin Brower 4 months agoWhich provides a better slow motion in FCPX: The clip was shot at 60fps. 1. Edit in a 24p timeline and use "conform speed" 2. Edit in a 60p timeline and simply slow down the clip. Thanks | Re: Better to conform 60FPS to 24fps?
by Chris Harlan 4 months ago
Bret Williams "Seems like I had a problem once going back, and I always see Shane recommending you duplicate cuz you can't go back. " I always duplicate everything anyway, out of an abundance of caut
|
| | | | |
| | | |  | | | | | |
| | | | | | | | | |
| | | | | Workflow Issue: PPro CS6 to FCP7by John Aldrich 10 months agoHi Everyone -- I've got a project that I'm rough cutting and then will be handing off to another editor for fine cut, and he is more comfortable cutting in FCP7. I initially was planning on cutting in | Re: Workflow Issue: PPro CS6 to FCP7
by Chris Harlan 10 months ago
Shane Ross "The other editor needs to buck up and use Premiere. They are very similar and there's not excuse for them not doing it. Trying to get the native raw footage converted to work with FCP, an
+1 |
| | | | |
| | | | | Article: High Noon in the Editors' Corralby Debra Kaufman 12 months ago Apple FCPX or Not: The Debate High Noon in the Editors' Corral A group of editors gathered at a Hollywood Post Alliance Sales Resource Group luncheon to debate the merits of today's nonlinear editing+5 | | | | |
| | | |  | My Life in FCPby Rob Tinworth 2 years agoI've been lucky to work on some great projects over the last decade with FCP. So when MC5.5 arrived in the post, I figured what better way to get back up to speed on Avid than to cut a retrospective o+8 | | | | |
| | | |  | Blog: The realization sets inby gary adcock 2 years agoSo, When I posted the first comments on FCPX 4 weeks ago, I thought I was going to be strung up and burned at the stake by some of the commentary. Now everyone seems resolute to the fact that FCPX is | | | | |
| | | | | Convert 16:9 to 4:3by Larry Rochman 4 years agoI am new to Final Cut and 16:9. I have a 16:9 Promo that I need to send to a facility that only airs 4:3. Is there a way to convert the 16:9 to 4:3 in Final Cut without having to letterbox it thanks.. | Re: Convert 16:9 to 4:3
by Chris Harlan 3 years ago
You can take your anamorphic sequence and nest it in a 4:3 sequence--which will automatically letterbox it--then multiply scale of the sequence by, I believe, 1.33 (133%), which will return the nested
|
| | | | |
|
