| | | | Member Since: July 25th 2001 | | | | |
| | | | |  | Panasonic HPX250 or AC160Aby Kingsley Foreman 2 weeks agoHi guys, hoping to get a little advice from the pros :) I'm looking at getting a new camera ether a HPX250 or a AC160A I know the features are similar, and I will be recording to a Atomos Samurai. The | | | | |
| | | |  | UDF & Fat 32by Robin Probyn 1 month agoOn the back of the long downloads Ive found with the PMW500 (a very nice camera BTW) I wonder is there alot more data in UDF than FAT.. which would make the UDF 50mbps down loads way longer the FAT fo | Re: UDF & Fat 32
by Bruce Rawlings 1 month ago
I down load onto a MacPro (early 2011) with 12GB of memory using the Sony SxS reader. Have not tried MacBook Pro yet.
|
| | | | |
| | | | | Down load longer than real time!by Robin Probyn 1 month agoAny idea,s why.. cant be normal camera PMW500 UDF 50Mbps 1080 25p Card SXS 64 GB Pro Computer Mac Book Pro Single card sony card reader HDD Lacie rugged Shot put pro..set to quick check..ie data only. | | | | |
| | | |  | io express, mc 5.53 and mac os 10.6.8by joshua schwarz 6 months agoi just updated my aja io express drivers to the latest version for mac: 10.0.1. this included a firmware uprgrade to the io express. i didn't load the io open plugin utility because it requires lion. | | | | |
| | | | | Getting out of demo modeby Bruce Rawlings 6 months agoJust bought Twixtor and cannot get out of demo mode. I have entered the key they gave me as instructed but no dice. Cannot contact them as only email support. As usual up against the wire. Any ideas I | Re: Getting out of demo mode
by Pierre Jasmin 3 months ago
Are you using FCP FCP (and a few other apps) do caching of already rendered frames across sessions, unless you change the value of a parameter you get the frame pre-rendered with an X, the solution is
|
| | | | |
| | | |  | Was asked for 16x9 SX... WTF?by Phil Smith 11 months agoForgive me, I feel really stupid for asking this question, but my google efforts and other searches have turned up nothing. Perhaps I am not wording this right... I have a client who is asking me for | | | | |
| | | | | How does Avid handle still images?by Scott Davis 1 year agoIt has been a while since I have had to heavily work in Avid. I am working on a job now with a ton of still images. Some are huge, high quality TIFF, some are low quality JPEG files. When importing a | | | | |
| | | | | EX1 files into FCP7 - How?by Bruce Rawlings 1 year agoAm using FCP for the first time with EX1 BPAV folders and cannot import the contents to edit. I am confused by Sony software. FCP7 on MacPro with Snow Leopard is my system. | Re: EX1 files into FCP7 - How?
by Steven Gladstone 1 year ago
I use file import. You have down load Sony Software. Then you will get XDCAM import. Try this link. You may have to join, but it is free. https: www.servicesplus.sel.sony.com sony-software.aspx model=
|
| | | | |
| | | |  | Decklink studio with PremPro nightmareby Joe Morgan 1 year agoHi There, This is probably one of those questions that would merit a slap in the face with a wet fish - but I can't seem to get video playback from Premiere Pro CS5 over a decklink studio card in a 64 | | | | |
| | | | | purchasing a new cameraby jim marr 2 years agoHi- I've just been given a budget of $35-40,000 to purchase a new HD video camera. I have been using a Sony PMW EX1 for the last couple of years and it's just not giving us exactly what we want. The t | | | | |
| | | |  | Archiving ineptitudeby Geoff McKay 2 years agoSo, another quick question about archiving my EX3 footage. I filled up a 32 gig card, transferred the BPAV folder directly to a hardrive, changed it's name to the date I transferred it, and then thoug | | | | |
| | | | | Gen lock errors sony pmw-EX3by Jason Hounslow 2 years agoHi, Has anyone experienced Gen lock loss on the Sony PMW-EX3 while it is genlocked (am using tri level sync, camera setting is 1080i 50)there are not very many settings available on the camera to help | | | | |
| | | |  | Sony SDHC adapterby Bob Mark 2 years agoLooks like Sony is selling their own adapter these days. B&H is selling a Panasonic SDHC card as an accessory! http: www.bhphotovideo.com c product 679101-REG Sony_MEAD_SD01.html | Re: Sony SDHC adapter
by Bruce Rawlings 2 years ago
By minefield I did not mean it is a bad idea. I have been using them myself since 2008 without any problems. It was Craig's findings that helped me decide the route to go (old Sandisk Transcend 16gb M
|
| | | | |
| | | | | EX1 25p to HDCAM D1800by Bruce Rawlings 2 years agoI want to transfer some EX1 25p material from HDSDI out to an HDCAM D1800 VTR do I need to select any particular setting to record 25p to tape | | | | |
| | | |  | First Musicvideo Submission to TV.....by Facundo Campos 2 years agoHi there! I'm finishing editing a music video that I shot a couple of months ago and I wanted to submit it to MuchMusic up here in Canada. So, I've downloaded the specs form from the site and to be ho | | | | |
| | | | | Lip sync issuesby Tim Young 2 years agoOffline via firewire DV PAL, Online AJA uncompressed 8-bit PAL Is this a nightmare A lot of our interview clips appear out of sync after conforming at uncompressed. Is this a known issue Tim ********* | Re: Lip sync issues
by Bruce Rawlings 2 years ago
I have always doubted the J series of decks for sync. I cannot put my finger on it but offlining with a J3 and then onlining with a real deck has caused sync problems.
|
| | | | |
| | | |  | Problems with 6.5 hr videoby Brian Schuster 2 years agoI've put together a project that is 6.5 hours long with 40 chapters out of one video file and a separate mp3 audio clip. When I preview it, all elements work fine then when I burn it onto a dual layer | | | | |
| | | |  | HDCAM Tape Brands?by Josh Pappas 2 years agoI'm considering switching from Sony to Maxell HDCAM tapes to cut back on costs this year. Is there anything I should be aware of before doing this We've been using Sony for over four years with no iss | Re: HDCAM Tape Brands?
by Bruce Rawlings 2 years ago
Your heads are used to Sony. Maxell back in SP SX days was much more abrasive (not sure if it is now as I use only Sony) so if you end up with Maxell shaped heads then if you put in Sony or Fuji there
|
| | | | |
| | | | | XDCAM - BBC & SKY usage?by James Hilton 2 years agoI have been following post in this forum for some time now, but this is my first, so here goes. Without wanting to ignite a massive argument, I am interested to know what people think of XDCAM, given | Re: XDCAM - BBC & SKY usage?
by Bruce Rawlings 2 years ago
I think the NanoFlash is the answer to all the restrictions being put in place by some broadcasters. You can shoot at 50mbts or 100mbts using the HD-SDI output of an EX1 3 or PMW-350. In fact you can
|
| | | | |
| | | | | io HD playback stuttersby Brian Cutts 3 years agoHi, I'm having a problem with HD playback of material using a MacBook Pro where we get the occasional stutter which looks almost like a dropped frame. The setup uses the AJA io connected to the onboar | | | | |
| | | | | ex3 software freezeby dan jones 3 years agoBrand new Sony EX3 right out of the box. I spent maybe an hour going through the menus, setting them up. Then I white balanced, switched the lens from manual to auto, and the whole thing froze up. Swi | Re: ex3 software freeze
by Don Greening 3 years ago
My boss (which is actually my wife) said "Don't even entertain the idea of a repair through Sony. Take the camera back right away to the store you bought it from and ask for another EX3." The boss has
+1 |
| | | | |
| | | | | IoHD PAL Ingest to FCPby Bruce Rawlings 3 years agoI have been using the IoHD unit to playout PAL DV projects to Digibeta in SDI from a MacBookPro. I inherited the FCP project and a hard drive with the media on it. All has worked well. I now want to s | | | | |
| | | | | Client issue with DVDby Greg Ball 3 years agoI've posted a similar question on the FCP forum, but I thought I could really use some help in dealing with my client. I created a widescreen DVD that was shot on a Sony Ex1 Camera The client complain | Re: What should Greg do?
by Bruce Rawlings 3 years ago
I agree with Bob's approach. DVD should be a done thing but there always seems to be gremlin near at hand. For conferences and live public presentations we always use tape for playout. If the client i
|
| | | | |
| | | |  | | | | | |
| | | | | Corporate HD Video standardsby Aaron Stella 4 years agoI work for a global fortune 50 company in their communication resources department. We are currently discussing what video standards we will accept from outside agencies in regards to HD. What we are | Re: Corporate HD Video standards
by Bruce Rawlings 4 years ago
Keep things in your control and you can guarantee quality. Master tapes files should be supplied to you then you will be ok. It should be cheaper for you than freelance shooters having to mess about m
|
| | | | |
|
