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Angelo Lorenzo:ActivityAboutLikedPopularImages
Angelo Lorenzo

Member Since:
July 5th 2009
1875 Posts
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DNxHD export
by Angelo Lorenzo 2 weeks ago
For the life of me, no matter my hard drive setup or my source footage (RED + RED Rocket, DSLR 1080, etc etc) I cannot push past 15fps on any format when exporting DNxHD. I add the export plugin as a
Re: DNxHD export
by Daniel Esperanssa 2 days ago
Hi Angelo, Several factors can impact DNxHD MXF exports so there are a few things to check: 1 Can you playback your construct in real time 2 What is the construct resolution (no need for a 4K construc
Adding Compressor/Limiter slow playback
by Jim Eckes 4 months ago
We're testing the transition from FCP7 to Premiere. Our workflow right now consists of writers stringing out shows in FCP7. We convert to Premiere via XML. Everything good so far. In Premiere, we chec
Re: Adding Compressor/Limiter slow playback
by Angelo Lorenzo 4 months ago
Menu Sequence Render Audio If that isn't a solution then are you going through an output card like an Aja or Blackmagic They routinely are the cause to playback delay. -------------------- Angelo Lore
Picture brighter when adding grain
by Johan Windh 4 months ago
Hi, On some projects I like to add grain in finish. I use grain like Gorilla Grain and RGrain. I add it on top and chose blend mode to Overlay. When this is done, it brightens the total picture somewh
Re: Picture brighter when adding grain
by Angelo Lorenzo 4 months ago
If you're experience added brightness with overlay mode then the grey base of your grain files are not truly 50% gray (#808080). Overlay isn't a proprietary blending mode, and should work the same in
JVC deck and fire wire
by Teresa Hineman 4 months ago
Our JVC HD-BR50 deck is what we are using as a capture device to Adobe Premiere Pro. We installed a new computer with Windows 7 professional. Each time the fire wire connection is activated the comput
Re: JVC deck and fire wire
by Angelo Lorenzo 4 months ago
If you reference your previous post and also search Google for this issue, you'll find that it is a Firewire driver issue, not exclusive to the use of Premiere. I would strongly suggest contacting JVC
CS6 Multi-Format Workflow (RED 4K, Super-16mm, iPhone, VHS)
by Derek Katz 4 months ago
Long time reader of these forums. I am shooting a project that will be using a combination of formats. Interiors will be shot in 4K on a RED One MX and exteriors in Super-16mm (scanned at 2K) with an
Re: CS6 Multi-Format Workflow (RED 4K, Super-16mm, iPhone, VHS)
by Angelo Lorenzo 4 months ago
1) Edit in the size of your known delivery format: 2K. There is zero advantage to editing in 4K and upscaling most of your footage only to downscale it again - both moves are destructive to image deta
Floating Head/Body Advice-Tips?
by Jess Juanich 4 months ago
Hi, I want to make a person's body disappear and make their head "float". The person's body is wrapped in green screen and I keyed it using Ultra Key. The problem I have is that I want to key the body
Re: Floating Head/Body Advice-Tips?
by Angelo Lorenzo 4 months ago
There needs to be a clean plate under your footage. Assuming the camera is locked off then it's a frame of video without your actor. -------------------- Angelo Lorenzo Need to encode ProRes on your W
Enable GPU Acceleration in Premiere Pro
by Brian Cheng 4 months ago
So my Premiere Pro CC is running really slow when I'm viewing a After Effects dynamic linked footage. I searched on the internet, and people said that allowing GPU Acceleration as renderer can speed u
Re: HEEELLPP!!! Enable GPU Acceleration in Premiere Pro
by Angelo Lorenzo 4 months ago
Brian Cheng "So my Premiere Pro CC is running really slow when I'm viewing a After Effects dynamic linked footage." This is unavoidable - dynamically linked footage will need to be preview rendered i
+1
Relinking All Clips
by Ryan Patch 4 months ago
Hello - I am familiar with relinking clips through selecting offline media and right-clicking, and also through the timeline context menu - but both of these methods limit the relinking to just files
Re: Relinking All Clips
by Angelo Lorenzo 4 months ago
In the media bin, in the searchbox just type "offline" and it should filter out all offline clips. "Video", "Still", "Audio", "Sequence", "Title" are all also keywords, and the search box will also se
+1
Editings Got Messed After Rendering Effects In to Out
by Brian Cheng 4 months ago
After I rendered my sequence in to out, the places where I do my edits got messed up. So that's say that there are two clips. Clip A and clip B. Clip A is before clip B. After rendering the effects in
Re: Editings Got Messed After Rendering Effects In to Out
by Angelo Lorenzo 4 months ago
Follow each step, restart Premiere, and check for results. If the issue isn't fixed then try the next step. 1) Menu Sequence Delete Render Files 2) Clear media cache 3) Close Premiere and hold shift w
4K through Firewire 800?
by Eric Klassen 4 months ago
I'm editing 4K HD footage smoothly on the old Mac Pro system. We have a Raid drive with only Thunderbolt out. If I convert the Thunderbolt out to Firewire800, will I run into bottleneck issues (we bou
Re: 4K through Firewire 800?
by Angelo Lorenzo 4 months ago
I would check with some mac people but the thunderbolt- fw800 adapter is one way conversion only. FW800 device to thunderbolt computer port. You might be putting the cart before the horse. -----------
Sony F5/F55 RAW with Premiere & Speedgrade Workflow
by August Bradley 4 months ago
What's the optimal workflow at this point for Sony Raw recorded on the R5 using Adobe Premiere CC (current version) editing and direct-link to Adobe Speedgrade CC for color grading The objective is th
Re: Sony F5/F55 RAW with Premiere & Speedgrade Workflow
by Angelo Lorenzo 4 months ago
August Bradley "So Adobe's claim to work natively with Sony RAW in Premiere is not true " It can, but the only thing it can control currently is the curve setting - additional curves and debayering q
A funky pixel dimension, with 2K import and 3.00:1 aspect ratio....
by estelle baylis 4 months ago
Hi all, I have a bit of a dilemma and was hoping I could pick your brains! I'm about to start working on a film which will be played out on a screen size 3240X1080 pixels, aspect ratio 3.00:1. The fil
Re: A funky pixel dimension, with 2K import and 3.00:1 aspect ratio....
by Angelo Lorenzo 4 months ago
Remember frame aspect ratio is different than pixel aspect ratio. I would assume that 3240X1080 is a 1:1 pixel aspect ratio and that they're using the 3:1 ratio much like HD is 16:9. Even if they use
Audio Gain vs Clip Mixer ?
by Jay Thomas 4 months ago
Full disclosure: still new to PP from FCP. I'm trying to understand the difference between adjusting clip audio via the Audio Gain command and via the Clip Mixer. In this example I'm staying entirely
Re: Audio Gain vs Clip Mixer ?
by Angelo Lorenzo 4 months ago
Jay Thomas " But if I select Audio Gain on that clip and adjust the gain by say -20db, the Clip Mixer still shows my original -7db adjustment. I interpret this to mean that the Audio Gain command is
Is there a way to paste clipboard contents into the play(er) window?
by Paul Dougherty 4 months ago
Is there a way to paste clipboard contents into the play(er) window Thanks, Paul
Re: Is there a way to paste clipboard contents into the play(er) window?
by Angelo Lorenzo 4 months ago
Save it as a nested sequence, then you can load it into the source monitor by dragging it from the bin to the source monitor or using ctrl+o when it's selected in the bin. -------------------- Angelo
+1
Effects before sizing
by Charles Smiley 9 months ago
In PP CS5 is it possible to put various effects (such as color correction) ahead of the default "Motion" effect I want to perform various effects before using the "scale" effect to resize video clips.
Re: Effects before sizing
by Angelo Lorenzo 8 months ago
Apply effects, right click and nest your footage and then scale the new nested sequence that is created. Alternately, if Premiere CS5 has it then go to Effects Distort Transform, and it's the same set
After Effects Quartz Compositions
by John Mark 10 months ago
Is there a render setting where I can render in "Quartz" as a graphic composition or a plugin used for Play-out from BB-TV Have a look at this ptf - http: www.ninsight.com fichiers docs bbtv BBTV_Docu
Re: After Effects Quartz Compositions
by Angelo Lorenzo 10 months ago
Not quite sure I understand your question. Quartz comps used as plugins need to be created in an optimized way for that usage and then adapted with a 3rd party program. None of the After Effects nativ
RED in Speedgrade
by Gina Sarentino 10 months ago
I have a project in Premiere that consists of Red Epic 5k shots, now I've downscaled them to 2k and made an EDL and went to Speedgrade. In speedgrade Im not being able to relink the media, I keep gett
Re: RED in Speedgrade
by Angelo Lorenzo 10 months ago
In Speedgrade, make sure both your timeline FPS and your FPS settings under Settings Editing match your EDL before trying to import and link. -------------------- Angelo Lorenzo Need to encode ProRes
What is AJA?
by Gina Sarentino 10 months ago
Hey everyone, could someone please explain what AJA 10 bit Lin RGB in speedgrade is, and Im wondering why my Prores output is missing from my Speedgrade, Im using a windows 7 HP Workstation.
Re: What is AJA?
by Angelo Lorenzo 10 months ago
ProRes output is not available natively on any Windows system, with the exception of Telestream Episode and a few other non-official programs like FFMPEG and FFMBC. I would consider exporting out a DP
Gina Sarentino 10 months ago
Hey Angelo I wa shoping you could help me out with a problem Im having with Speedgrade. If so Ive posted the problem in the Adobe Speedgrade forum page. Thanks
Wireless monitoring system
by Berat User 10 months ago
Hi, I am a DP doing a reality show. We have 5 cameras running on the set. Director wants to see all( at least 4) pictures. Is there a reliable wireless system. I have so far tried Avalon, camwave and
Re: Wireless monitoring system
by Angelo Lorenzo 10 months ago
I would think, based on specs that performance between Camwave Teradek them would be similar - they're rated for about 300ft line-of-sight use. The issue that comes to mind is if the channel frequency
Sharing doc files on location.
by Loretta Farrell 10 months ago
I'm working on a big gloosy and I'm looking to see if there is anyway to view or share files on loction with tablets - some maybe ipads and others not. We will have 5-9 producers working on files time
Re: Sharing doc files on location.
by Angelo Lorenzo 10 months ago
If you have access to the internet via location or a hotspot then use Dropbox with everyone signed into the same production specific account. It's available on desktop laptop. iOS, and android. It doe
moire in animated stills
by chris iuliano 10 months ago
I am making real estate videos and when I try to animate a still I am getting a lot of moire, especially on rooftops. How do I get rid of this I am using a Canon Rebel t4i.
Re: moire in animated stills
by Ann Bens 10 months ago
Mask out the roof and add a slight blur. ----------------------------------------------- Adobe Certified Expert Premiere Pro CS6 Adobe Community Professional
+1
Angelo Lorenzo liked this 10 months ago
Blend live capture with pre-recorded?
by Jon Appleyard 10 months ago
Hi, I'm thinking up a Halloween trick to project at a party I'm hosting and wanted to know if it's possible. What I want to do is have a live stream from a webcam showing my bedroom. The feed will be
Re: Blend live capture with pre-recorded?
by Angelo Lorenzo 10 months ago
In Premiere No. You need vision mixer software - there are about 20 or so programs at varying prices that will mix a live feed with pre-recorded. None are free. -------------------- Angelo Lorenzo Nee
burning for tv, mac and pc
by Phillip McCordall 10 months ago
Hi everybody, I've just finished my first dvd, or at least thought I had. i used mpeg 2 for exporting too encore but it won't read on a pc with the standard media player, can anyone tell me what expor
Re: burning for tv, mac and pc
by Angelo Lorenzo 10 months ago
Not all versions of Windows support DVD playback with Windows Media Player out-of-the-box, especially Windows 8, and some versions of Windows 7. http: windows.microsoft.com en-us windows windows-media
Lighting a slow-mo macro shoot with Red Epic – HMI or tungsten?
by Stephen Kennedy 10 months ago
Hi, I'm preparing a shoot and need some lighting advice. I'm planning to shoot very small objects, mostly in liquid tanks using the Red EPIC at frame rates up to 300fps, and the Canon MP-E 65mm f 2.8
Re: Lighting a slow-mo macro shoot with Red Epic HMI or tungsten?
by Angelo Lorenzo 10 months ago
I'd be careful about dimming. I've had "flicker free" dimmable LEDs show heavy flicker between 0-50%; some more than others including Arri and Mole Richardson. I would rely on using them at 100% and t
Best Way To Transfer After Effects Video to Camtasia
by Kyle Campbell 10 months ago
I'm making green screen videos and I do the key work in After Effects. I need to transfer the videos(after key work has been done) to Camtasia to edit out pauses in my speech, trim the timeline somewh
Re: Best Way To Transfer After Effects Video to Camtasia
by Angelo Lorenzo 10 months ago
Export AVI, I believe Camtasia's codec will be listed as an option there. Probably best to use that if all else fails. -------------------- Angelo Lorenzo Need to encode ProRes on your Windows PC Intr
Any Slider Shot Tips?
by Spencer Honda 10 months ago
By tips, I mean in getting a smooth shot I mean, there's got to be some secret or tip. What I mean is, just using my hands to move the camera along the track can't be the best possible way can it I ju
Re: Any Slider Shot Tips?
by Angelo Lorenzo 10 months ago
So what kind of slider Something with skateboard wheels on 1 4" tube is not the same as a solid original slider. Generally, with the cheaper sliders there is less rigidity so you can't avoid some inhe
How to make my computer more powerful
by Nick Montgomery 10 months ago
I have upgraded my computer twice in the last year. And after each time, I have never felt like it was powerful enough to do the kind of work that I needed to do. It's really frustrating to never quit
Re: How to make my computer more powerful
by Angelo Lorenzo 10 months ago
http: lesterbanks.com 2013 08 understanding-single-and-multi-threaded-effects-in-after-effects-to-speed-up-render-times As others have stated, don't particularly hope for great performance with full d
After Effects as a tool for iDevice animations
by Chris Chamberlain 11 months ago
creating my 2nd iPad app, a childrens book app. Target resolution is for the iPad 2, so 132 pixels inch. Steps to reproduce this issue: 1. in Adobe Photoshop CS5.5, create any PSD file with a few laye
Re: After Effects as a tool for iDevice animations
by Angelo Lorenzo 11 months ago
DPI PPI means nothing with fixed resolution output devices like screens. You simply need the total resolution of the screen which for the iPad2, if I'm not mistaken, is 1024 768. What may be changing
When dragging from source to timeline image locks up and sound stops
by Jim Frazier 11 months ago
Using Premiere Pro 7. Vista. Captured 14 tapes and all work fine in editor except 2. Both experience same issue. Both play fine in source monitor. Good sound and video. But when I insert or drag into
Re: When dragging from source to timeline image locks up and sound stops
by Angelo Lorenzo 11 months ago
Drag from the source monitor to the project monitor for insert overwrite edits, or use the . and , keys to see if this solves the issue in the short term. -------------------- Angelo Lorenzo Need to e
Editing advice
by Kevin Dawson 11 months ago
I am trying to use Premier Pro CS6 to edit a music video. I am having trouble figuring out how to create a word and then take letters out of the word and place it in the video to form a different word
Re: Editing advice
by Angelo Lorenzo 11 months ago
After Effects. Premiere is not suited for any kind of motion graphics work and any attempt would lead to some very cumbersome workaround. -------------------- Angelo Lorenzo Need to encode ProRes on y
Unique P2 based workflow - can Vegas handle it?
by Angelo Lorenzo 12 months ago
I have multiple P2 clips that I've synced with Plural Eyes. I want to smart render these P2 clips (batched, with the same timecode) to include 8 tracks of audio, 4 of which were production audio, and
Re: Unique P2 based workflow - can Vegas handle it?
by Angelo Lorenzo 12 months ago
Premiere has this strange implementation that to export P2 I have to map the channels as two tracks of 5.1 and it doesn't allow me that option with all the other trickery I have to pull... worth seein
FCP Audio mixing
by Ashish Sah 12 months ago
hello i have seen 5.1 mixing in fcp. can it possible mix it in 5.1 an how can it b
Re: FCP Audio mixing
by Angelo Lorenzo 12 months ago
Create a new sequence and set the master audio channel to 5.1 You will now have access to 5.1 panning controls in the audio mixer. -------------------- Angelo Lorenzo Need to encode ProRes on your Win
+1
Hard Drives for Indie Feature
by Joshua Moise 12 months ago
Hello out there. I'm cutting an indie feature and looking to pick the best hard drive. It'll be shot on the Red Epic and I'll be cutting on Prores LT (I think). I'm eying the Glyph 4TB GTO62 Raid, mos
Re: Hard Drives for Indie Feature
by Angelo Lorenzo 12 months ago
My advice is ask your DIT. Your DIT or DUT (digital utility tech) will be the one handling footage in the field and should have the knowledge from talking to the cinematographer about what your shooti
Film Credit
by Lee Vervoort 12 months ago
Hello to all. I am in a bit of a bind and seek advice. A documentary has been listed on IMDB. I am the person who interviewed people and narrated.(on camera) I'm not looking for fame here, but just wo
Re: Film Credit
by Angelo Lorenzo 12 months ago
This would be considered a "host" credit in the United States. I can't speak for other countries but "narrator" may also be a common alternative. -------------------- Angelo Lorenzo Need to encode Pro
Mount a C300 90 degrees
by Rich Rubasch 12 months ago
Hi all; Shooting some fashion shots on green screen and the talent will not move around much. To get the most resolution we want to mount the camera sideways and shoot in a vertical frame. Thoughts We
Re: Mount a C300 90 degrees
by Angelo Lorenzo 12 months ago
Edited* I'd just go with a hardware store L bracket with a center slot cut to fit a 3 8" bolt, some 3 8" washers, bolts and wingnuts, maybe some nylon washers to avoid slippage. Photographic ball head
Error message compiling movie, MXF files
by Fiona Mackenzie 12 months ago
Okay, I'm at a loss. Brand new here and really hoping that someone can help... I can import Canon XF100 files into Premiere Pro, no problem. I can't export it as a mov file. It's driving me nuts. Does
Re: Error message compiling movie, MXF files
by Angelo Lorenzo 12 months ago
Error message And a screenshot of your export settings is appreciated. -------------------- Angelo Lorenzo Need to encode ProRes on your Windows PC Introducing ProRes Helper, an awesome little app tha
Premiere Pro bad quality in exporting
by William Tael 12 months ago
I need to put an audio track with another language that differs from the original audio track of the video. So i heard of Adobe Premiere Pro and i've download it. I'm completly new to Premiere, but i'
Re: Premiere Pro bad quality in exporting
by Angelo Lorenzo 12 months ago
Do you need to reencode the video If the audio you're placing in is the same length as your video, I would suggest mapping the new audio in using FFMPEG. This would simply delete the current audio tra
+1
Speedgrade CC shortcut cheat sheet
by Mathieu Marano 12 months ago
As I work more and more with Speedgrade CC, I found myself wanting to go faster and shortcuts are good for that. And since the SG help file is not that good I tought I would work on a shortcut cheat s
Re: Speedgrade CC shortcut cheat sheet
by Angelo Lorenzo 12 months ago
You forgot alt+mouse wheel which zooms the timeline... Speedgrade has a lot of undocumented features :) -------------------- Angelo Lorenzo Need to encode ProRes on your Windows PC Introducing ProRes
Canon XA10 audio input level
by Bryce Douglass 1 year ago
Hello Does anyone know why my XLR mics sometimes distort even though the input level is not even near -10
Re: Canon XA10 audio input level
by Angelo Lorenzo 12 months ago
Does the waveform of the resulting audio look clipped, but at a lower volume What offboard mics are you using Sounds like the diaphragms may be overloading. -------------------- Angelo Lorenzo Need to
turn off rendering when working with masks
by Bryan Colvin 12 months ago
this is a n00b question, but if anyone can give me the answer i'll be thrilled! all i want to do is turn OFF the rendering when I'm adjusting a mask. Or a way of turning off this auto preview render (
Re: turn off rendering when working with masks
by Angelo Lorenzo 12 months ago
I believe the work around is to use a shape layer and then fill it and use it as a luma matte rather than using a mask directly on a layer. -------------------- Angelo Lorenzo Need to encode ProRes on
Drop Frame Timecode
by Stuart Smith 12 months ago
Does anyone know if Speedgrade has issues with DF TC I'm having a lot of issues with DF EDLS. Thanks Stuart
Re: Drop Frame Timecode
by Angelo Lorenzo 12 months ago
An educated guess is that you shouldn't use drop frame EDLs with Speedgrade is two-fold: 1) Speedgrade doesn't have any options to create a dropframe timeline 2) Speedgrade is designed with a feature
Jim Jannard steps away from the helm at RED Digital
by gary adcock 1 year ago
Jim Jannard announces that he is stepping back as the public face of RED Digital Cinema. http: www.reduser.net forum showthread.php 104367-My-Final-Post gary adcock Studio37 Post and Production Workfl
Re: Jim Jannard steps away from the helm at RED Digital
by Paul Provost 1 year ago
Again www.4Kfinish.com owner-colorist Hollywood, CA www.facebook.com 4kFinish Twitter 4kfinish
+1
Angelo Lorenzo liked this 1 year ago
Jay-Z/Samsung Magna Carta ad
by Justin powell 1 year ago
Ive been looking for some production info on this ad, just finding a scrap about it may have been an Epic and a Scarlet with Canon Cine Primes Any other details out there MacBook Pro Retina Display 2.
Re: Jay-Z/Samsung Magna Carta ad
by Angelo Lorenzo 1 year ago
No point in ever dissecting something too much. That said, it feels like there is a bit of diffusion on it like a Soft FX 1 or Classic Soft 1 2 -------------------- Angelo Lorenzo Need to encode ProRe
Lavender scrims
by Angelo Lorenzo 1 year ago
Lavender scrims, also known as 1 2 singles, came up in conversation between myself and another DP while we were browsing a grip house. He mentioned that they were popular for beauty work in the past.
Re: Lavender scrims
by Rick Wise 1 year ago
If you have the luxury to include at least one Lavender in your kit, so much the better. There are some rare times when reducing the light's intensity by 1 4 stop is just what you want. But not often.
How do I composite an interactive 3D model in a scene?
by Chase Gillman 1 year ago
Let's say I have a 3D model of a TV. I have motion captured the video and imported the camera into 3Ds Max. I placed the TV in the scene. I export to After Effects. How do I get an actor to walk in fr
Re: How do I composite an interactive 3D model in a scene?
by Angelo Lorenzo 1 year ago
Chase Gillman "How does Lord of the Rings put Golem in the scene and have Frodo walk in front and behind him Did they seriously create a mask around Frodo and go frame by frame moving the mask path "
Best 'free' VST plugins for processing vocals
by jim bachalo 1 year ago
Can any audio experts share their choices for the 'best' mac friendly VST plugins for handling vocals Local is the new global
Re: Best 'free' VST plugins for processing vocals
by Angelo Lorenzo 1 year ago
To do what exactly I find that unless you're mixing professional-level music that Audition's included effects are more than enough; the exception being the need for some better restoration tools. http
Question about color correcting 5K footage.
by Gina Sarentino 1 year ago
Hey all, I'm currently working on a film shooting 5K red epic shots and a lot of 1080 HD footage's. Now we want to export the final product as a 2K film, what steps should I take in color correcting,
Re: Question about color correcting 5K footage.
by Angelo Lorenzo 1 year ago
Generally the film, from the beginning, is converted to an intermediate mezzanine codec like ProRes or Avid DNxHD and is traditionally HD (1080x1920 as this is Avid's highest resolution). These interm
Grading BMCC
by Craig Whitaker 1 year ago
Hey everyone, During edit, I was playing around in Camera Raw with some BMCC dneg stills. I was able to very quickly ge the look I'm after. What I'd like to figure out is, it possible to take these se
Re: Grading BMCC
by Angelo Lorenzo 1 year ago
Unfortunately, no; not without a ton of heavy lifting with test charts and other software. There are a number of very technical reasons why but suffice to say that Speedgrade doesn't respect ACR adjus
Alternative to Briese light
by Angelo Lorenzo 1 year ago
I've been brought on late to the process with an upcoming commercial. Our director is in love with the idea of a Briese light (focusable parabolic umbrella) as the key light for a number of our set up
Re: Alternative to Briese light
by Angelo Lorenzo 1 year ago
Hello all, To clarify, it was one of the Briese parabolics. The director had forced the use of the largest model (the 220) on me for a music video and I wasn't particularly thrilled with the lack of f


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