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Friends:  douglas domingue | | | | |  | | | | | |
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| | | |  | double exposure effect with videoby vincent lee 1 week agoHi guys, I'm doing a short experimental video thats only for a minute. One part of it has like a double layer, where a person walks down one path, while the same person also walks down another simulta | Re: double exposure effect with video
by Angelo Lorenzo 7 days ago
Try the underutilized echo effect http: help.adobe.com en_US aftereffects cs using WS09B6A698-8F9E-4a00-8D1B-07FC62FB2D30a.html#WS3878526689cb91655866c1103a9d3c597-7a57a while the trail isn't as "blen
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| | | |  | Colour Accurate Monitorsby Tom Mountford 7 days agoWe have recently transitioned to Speedgrade from Apple Color, firstly we've had the frustration that Speedgrade doesn't (yet) support output on Blackmagic Intensity Pro cards - which has killed all ou | Re: Colour Accurate Monitors
by Angelo Lorenzo 7 days ago
I would recommend Flanders Scientific. While their 24" may be a bit out of your price range, they have a 23" inch monitor for $3000 USD http: www.shopfsi.com BM230-p bm230.htm Their monitors are highl
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| | | |  | Question on timestamps with RAW footageby Sue Bauer 1 week agoHi, I'm helping a friend with color correction on his short film. However, his edit has a timecode embedded. Since I'm inexperienced with working with footage with a timestamp or timecode (I don't kno | | | | |
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| | | | | Is ProRes HQ 444 useless?by Angelo Lorenzo 1 week agoThis was based on some observations with FFMBC, but it appears that it's using a version of prores_kostya so results should be very similar. I apologize for the strangeness of my writing, this was ada | Re: Is ProRes HQ 444 useless?
by Angelo Lorenzo 1 week ago
So far as I know, the RGB - YUV conversion uses the Rec. 601 primaries (a known source of complaints in the FFMPEG project that no one cares add a switch for). Tagging the output as using these primar
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| | | |  | Red Camera Questionby Jorge Hernandez 1 week agoHello, I just have a basic question for Red Scarlet users. Does the red cam have grids to set up your shot Also does it have the frame lines so you can crop later in post like wide or full screen Kind | Re: Red Camera Question
by Angelo Lorenzo 1 week ago
http: s3.amazonaws.com red_3 downloads manuals 955-0003_v4.0_SCARLET_Operation_Guide_Rev-A.pdf Read the operation guide - RED does an excellent job with them. The Scarlet has a 1 3 grid that can be se
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| | | |  | Pair Clips with New Audioby Lexi Breton 1 week agoI'm wondering if there is a way that I can take clips with existing audio and pair them with audio that was recorded separately without going into the timeline and subclipping and all that business. F | Re: Pair Clips with New Audio
by Angelo Lorenzo 1 week ago
... There is no good way to do this that isn't insanely kludgy. The quickest way for a large project would probably be to create copies of your proxy footage, sync replace your production audio within
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| | | |  | quicktime color issue?by cody campbell 1 week agoI built this animation in c4d and then did some work in after effects and then rendered my clip out. In after effects my clip looks like it should and when played with windows media player it looks fi | Re: quicktime color issue?
by Angelo Lorenzo 1 week ago
This is not the Quicktime Gamma Bug. The gamma bug manifests itself as an actual change in brighness that you would see against the original in, say, After Effects once you re-imported the render. Thi
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| | | |  | Weird audio brown bar problemby Philana Chiu 1 week agoWhen I open my premiere project file; the audio in the timeline shows this: When I double click the timeline audio, it points to the right source name and ins and outs work just fine, but without the | Re: Weird audio brown bar problem
by Angelo Lorenzo 1 week ago
To fix it, in your timeline right click the affected clip and select "audio channels". You'll notice the assignment for your speakers are all set to "none", set these to whatever is appropriate for yo
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| | | | | XML Export Hanging?by James Mortner 1 week agoHello PrPro users, Anyone found a problem with export to XML feature Im trying to share a sequence with an FCP7 user. Select the sequence and say export, it will get about 1 3 of the way across the me | Re: XML Export Hanging?
by Angelo Lorenzo 1 week ago
Create a copy of the project, open it up and go to menu project remove unused. Now try to export the XML. Removing unused does a lot of behind the scenes housekeeping to the Premiere Project file. Wor
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| | | |  | Audio Mixer Effects in Premiere CS6by Victor Perez 2 weeks agoLooking for documentation on how to use the below effects in the Audio Mixer correctly. I have not used them yet, but I'm wondering if they worth using when Audition is not in the workflow I have not | Re: Audio Mixer Effects in Premiere CS6
by Angelo Lorenzo 2 weeks ago
The items in the screenshot are not effects in and of themselves, they are controllable parameters within the Dynamics effect. Many effects will have options and many of them will be vastly different.
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| | | |  | Red footage won't transcode, any ideas?by Jesse Kane 2 weeks agoHello all, I have some footage shot on red from a few years back. I am trying to transcode it using redline-x. I am getting errors with a select few clips, the Details read: Decode errors detected in | | | | |
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| | | | | Creative Cloud Q&Aby Steve Forde 2 weeks agoGoing to put myself out there and answer questions as best I can here on the COW. No question is a bad one as my intent is to frankly get rid of some of the FUD (Fear, Uncertainty and Doubt) that I ha | Re: Creative Cloud Q&A
by Angelo Lorenzo 2 weeks ago
Thank you for jumping into the forums Steve. A few questions. I hear that, starting with CS6, you'll have access to all major versions of Adobe apps. Will there be a "rollback" install or will we be a
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| | | | | Out of sync sourcesby Jon Felix 2 weeks agoI may be missing something obvious here, but I'm wondering if there's a quick fix to my problem. I'm cutting a feature and have been provided with transcoded and synced dailies. Problem is that every | Re: Out of sync sources
by Angelo Lorenzo 2 weeks ago
Well if you need an AE, just let me know ;) -------------------- Angelo Lorenzo Need to encode ProRes on your Windows PC Introducing ProRes Helper, an awesome little app that makes it possible Fallen
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| | | |  | How to assemble an output movie from piecesby Dan Thomas 2 weeks agoThrough scripting, we need to "assemble" if you will, our movie to be rendered. So in case #1, the movie should be segments 1, 2, and 3, in case #2, the movie is segments 1 and 3. In either case, the | | | | |
| | | |  | PrP CS6 crashes on XML import - Cross Postby Wayne Marx 2 weeks agoHi, I synched up 3 cameras in Pluraleyes, which exported an XML. When I import that XML into Premiere Pro CS6, it imports the files, then starts to build the cache files... then quits. Anyone else exp | | | | |
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| | | | | AE CS5 to AlexaLogCv3 dpxby Doug Appleton 2 weeks agoHey all, I'm having a problem that I can't seem to figure out. I'm working in AE CS5 and the client is asking that we deliver AlexaLogcV3 DPX files. I've used DPX files in the past but I'm not familia | Re: AE CS5 to AlexaLogCv3 dpx
by Angelo Lorenzo 2 weeks ago
That would work, correct. The longC conversion is "burned in" with small adjustments as needed. -------------------- Angelo Lorenzo Need to encode ProRes on your Windows PC Introducing ProRes Helper,
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| | | | | Spectral Frequency Questionby Matthew Chung 2 weeks agoI have several voice recordings that I am encoding to mp3 to stream at 16kbps. I was given a sample wav file which encodes to 16kbps mp3 fine and which encodes with a lot of sound artifacts. (wav file | Re: Spectral Frequency Question
by Angelo Lorenzo 2 weeks ago
The human voice is rich in harmonics and overtones. Anything past 5-6K is considered "air" or "lightness" in terms of adding to the human voice. To remove it before compression use a low pass filter e
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| | | | | Shooting recommendations for sportby Oliver de Morassé 2 weeks agoWe have a Sony PMW-200 and would like to shoot a skiing slalom competition for a friend. Up until now, most of our work has been done in a studio and we have little experience in shooting outside nor | Re: Shooting recommendations for sport
by Angelo Lorenzo 2 weeks ago
4:2:0 should be adequate. If you're shooting skiing then you don't get any more exposure latitude from 4:2:2 and color contrast should be pretty strong against snow. I would shoot 50i. 50i and 60i is
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| | | | | Animating in 2D?by Zevie Tannenbaum 2 weeks agoI'm trying to create a video similar to this one, http: www.youtube.com watch v=_Zo9TvzaDlc The problem isn't the animating, but all the characters. Is there a place to download characters, background | Re: Animating in 2D?
by Greg Neumayer 2 weeks ago
You could do a search for clip art, or maybe check the Illustrations section of sites like iStockphoto.com, Pond5, Thinkstock, Revostock, etc. However, I think your bigger problem will be finding ever
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| | | | | MXF Import Problemby Jamie Dorrance 3 weeks agoOne of my clients has given me a card tht has been completely corrupted. I have managed to get the data back by using 'Disk Drill' and the MXF files play fine (with audio) in VLC. The probilem I'm hav | Re: MXF Import Problem
by Paul Neumann 3 weeks ago
Try importing one of the files into After Effects and see if it will play there. AE doesn't care so much about the file structure and such. If it works you can output encode from there.
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| | | | | Editing "rules"by Christopher Travis 4 weeks agoHello all, What do people think about cutting straight from one talking head to another in an interview-led narrative i.e. no cutaways in between just comment A - cut- comment B. I just got told by my | Re: Editing "rules"
by Angelo Lorenzo 4 weeks ago
I wouldn't say it's a no-no, but it's certainly an aggressive, modern style that can artificially pit two parties against each other. Generally, cutting like this can speed the pace of a program to th
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| | | | | REDCINE-X Pro + Premiere CS6by Rory ORear 4 weeks agoHi all, Apologize if this has been asked before, but I couldn't find anything definitive. I am editing 1080p proxies of 4k R3D footage in Premiere CS6, as my computer can't quite handle editing in RAW | Re: REDCINE-X Pro + Premiere CS6
by Angelo Lorenzo 4 weeks ago
This is called onlining a film and it's very tedious so don't expect any quick fix suggestions. Let me ask you this: are you doing a 4K master or a 1080P master Is the quality of your intermediates hi
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| | | |  | Contrast issues, shaky video ?by Steve George 4 weeks agoHello guys. I recently uploaded a video to youtube that i made from a series of black & white jpegs. http: www.youtube.com watch v=yP3S8M9OOos As you can see the output video is shaking a little. Is t | Re: Contrast issues, shaky video ?
by Angelo Lorenzo 4 weeks ago
Check your composition and export settings. This artifact looks like its caused by interlacing and this material should be treated as progressive during the entire editing process. -------------------
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| | | | | importing .mov files from Nanoflashby Thomas Kaufman 4 weeks agoI'm recording .mov files using a Nanoflash recorder, but Premiere CS6 won't import the files, complaining that "Codec missing or unavailable." What should I do to correct this thanks Thomas Kaufman, D | Re: importing .mov files from Nanoflash
by Angelo Lorenzo 4 weeks ago
The recorder uses MPEG-2 compression. You either need to grab Calibrated-Q http: www.calibratedsoftware.com QXD.asp which will read MPEG2 MOV files or re-wrap the files to MP4 which Premiere should re
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| | | | | Downgrading 60 to 24?by Özgür Akyıldız 1 month agoHi people, I have a, probably the one of the most common, question. I've a shoot in couple of days and some specific shots I'd like to have slow motion.I was wondering if you would suggest; 1-) Shooti | Re: Downgrading 60 to 24?
by Angelo Lorenzo 1 month ago
I would shoot 24fps as a base and then only shoot 60fps (overcranking the camera) when needed. Why Well 24p isn't an easy conversion from 60p (60i you can use pull down) which means there will be some
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| | | |  | The Future of Editingby Greg Andonian 1 month agoI was thinking, If Apple really is skating to where the puck will be and FCPX really is the future of editing, you would expect the users of other NLEs to want their preffered NLE to follow in its foo | Re: The Future of Editing
by Angelo Lorenzo 1 month ago
I'm a PC guy, my Mac hardware is pretty aged otherwise I'd give the demo a try. My last post isn't meant to be belligerent so much as, on the surface, I don't see anything enticing for the way I work.
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| | | |  | Making the switch to Premier.by Steven Cohen 1 month agoI'm looking at advising my company to switch from Apple FCP 6 to Adobe Premier. I want to get a couple of things straight in my head before I propose it. I know Premier can work with a wide range of f | Re: Making the switch to Premier.
by Angelo Lorenzo 1 month ago
I think you'd have better lick in the main forum... this beginners forum is always slightly dead. With that said, here is what I know: 1) If your files come in natively as ProRes then you're fine. As
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| | | | | Rec 709 to P3 LUTby Angelo Lorenzo 1 month agoI have a client who is at the tail end of post for a feature film. We may be preparing to add additional title sequences that we'll cut in after grading. I have a calibrated Rec 709 monitor (Flanders  | Re: Rec 709 to P3 LUT
by Juan Salvo 1 month ago
There were different LUTs in the previous version of resolve. The current version has two LUTs, one for P3, which does not change the gamma, and one for 709 which does. Colorist Online Editor Post Sup
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| | | |  | Newbie Question?by Steve Martin 1 month agoHi all, I've been wandering the COW pasture for years, but this is my first post on this forum. I'm looking for a little advise regarding Audition... First, some quick context. I have an aging MacPro | Re: Newbie Question?
by Angelo Lorenzo 1 month ago
Correct me if I'm wrong but I believe that ASIO is Windows only; Mac OSX doesn't suffer from the same latency issues. If it shows up as an audio device in OSX then you should be set. -----------------
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